THE IGUANA TREE

Stone’s debut literary fiction gives face and spirit, emotion and character, to those braving the deadly trail across our southern border, seeking only to find work, living only to be pursued as illegal immigrants.

Héctor has set out from Puerto Isadore, a bucolic village near Oaxaca, Mexico, paying a coyote to smuggle him into America. Héctor has left his wife Lilia and baby daughter Alejandra, who live with Lilia’s beloved grandmother, Crucita. Lilia loves her village life, but Héctor is adamant that happiness and prosperity lie north, and he stakes his life on his quest, enduring a claustrophobic cross-border ride in a welded-shut compartment secreted under a delivery truck. After finding kinship with Miguel, another pollo, Héctor follows Miguel to Edisto Island, S.C., where Miguel’s cousin, Pablo, provides safe haven and help finding work. Héctor is fortunate in his new employers, Lucas and Elizabeth, owners of a tree farm, who reward his hard work and dedication. However, Héctor's plans to save money to bring Lilia and Alejandra to America collapse when Crucita dies, and lonely Lilia defies Héctor's demands she wait. With the help of a childhood friend, Emanuel, Lilia begins an illicit journey that soon descends into horror. After being repeatedly raped by her coyote, Lilia’s coerced into leaving Alejandra at the border to be smuggled in later. The latter third of the novel deals powerfully with Alejandra’s disappearance, Lilia’s helplessness and Héctor’s rage and despair, with Stone’s narrative flowing inescapably toward realistic resolution. Each character resonates authentically, and the contrasts between idyllic but circumscribed life in Mexico, the bloody border and the welcome success hard work can bring to an appreciative immigrant is empathetically rendered. Stone has done exceptional work in making real the struggles and despair, the resolute discipline and hope, driving the desire to find a better life while also illuminating unexpected connections of near-familial love among people of difference cultures who live and work together. A haunting tale of hope and heartbreak.

 

Pub Date: March 15, 2012

ISBN: 978-1-891885-88-4

Page Count: 220

Publisher: Hub City Press

Review Posted Online: Feb. 5, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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