SIGNS FOR SALE

With an idealized fidelity that will strike a chord in Norman Rockwell fans, Russian-born Ibatoulline (Crossing, 2001) gives viewers a glimpse of small-town America through the eyes of a traveling electric-sign salesman and his daughter. With samples in their sporty convertible’s back seat and rolled up designs in the trunk, the two start their summer day with a stop at Sophie’s Diner, then it’s on to a market to watch a large sign being lowered onto the roof. The day turns into a special occasion for the young narrator when she seals her first deal, convincing a hard-nut local druggist to take one of the new, lit signboards with removable letters. “Someday I’m going to sell a million signs,” she proclaims as she and her father drive triumphantly away, pumping fists in the air. Despite the differences in age and sex, these two are peas in a pod, alive with that innate optimism that is the true salesperson’s sine qua non: “ ‘Now we’re rolling,’ Papa says. ‘We’re rolling big time,’ I say.” Automobiles and other details set this at least a generation back, but the town itself has a timeless look that echoes the equally timeless closeness between parent and child. (Picture book. 6-8)

Pub Date: May 1, 2001

ISBN: 0-670-03568-8

Page Count: 40

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2002

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THE BEST CHEF IN SECOND GRADE

An impending school visit by a celebrity chef sends budding cook Ollie into a tailspin. He and his classmates are supposed to bring a favorite family food for show and tell, but his family doesn’t have a clear choice—besides, his little sister Rosy doesn’t like much of anything. What to do? As in their previous two visits to Room 75, Kenah builds suspense while keeping the tone light, and Carter adds both bright notes of color and familiar home and school settings in her cartoon illustrations. Eventually, Ollie winkles favorite ingredients out of his clan, which he combines into a mac-and-cheese casserole with a face on top that draws delighted praise from the class’s renowned guest. As Ollie seems to do his kitchen work without parental assistance, a cautionary tip or two (and maybe a recipe) might not have gone amiss here, but the episode’s mouthwatering climax and resolution will guarantee smiles of contentment all around. (Easy reader. 6-7)

Pub Date: Dec. 1, 2007

ISBN: 978-0-06-053561-2

Page Count: 48

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2007

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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