CHARLES JAMES

PORTRAIT OF AN UNREASONABLE MAN: FAME, FASHION, ART

A biography that would benefit from acknowledging the problems with the world its subject inhabited.

A luscious exposé of a game-changing designer who revolutionized the fashion industry.

In her debut biography, Klein, the founder of joan vass USA, introduces readers to Charles James (1906-1978), the notoriously fabulous British-born fashion designer who sought to incorporate countless areas of study into the art of fashion. Self-described as “a legend because my work is too little known,” James started making waves in the fashion industry in the 1930s. “There were never more than a handful of Charles James matrix designs,” writes the author. “But each one is a masterpiece, developed with painstaking care and slowness, and so beautifully calibrated that one small change could throw everything off balance.” This close attention to pristine detail is what set James apart from the other aspiring designers. More specifically, it was due to his wild imagination for new ways of stitching fabric together and his wide social network. Klein organizes the chapters according to specific people who influenced James or with whom James went into business, drew inspiration from, or loved. Interestingly, Klein pushes the biographical genre by writing about her subject through the stories of those who surrounded him. Refreshingly, the result is neither a chronological nor traditional biography. However, the narrative oozes with white privilege and unrestrained, ultimately tiresome affluence—e.g., “in the ballroom, whose walls were decorated with shining floor-to-ceiling mirrors set into seventeenth-century boiserie, the elite of Paris society were seated on small gold-backed chairs around little white circular tables, lit by long narrow tapers in three-pronged silver candelabras.” Although this was certainly the world in which Klein’s subject thrived, the author could have provided deeper explorations into the designer’s cultural and social milieu. Ultimately, the book is a frothy, readable catalog of luxury; whether or not this kind of affluence resonates (or is of interest) in today’s landscape is unclear.

A biography that would benefit from acknowledging the problems with the world its subject inhabited.

Pub Date: March 27, 2018

ISBN: 978-0-8478-6145-3

Page Count: 256

Publisher: Rizzoli Ex Libris

Review Posted Online: Dec. 11, 2017

Kirkus Reviews Issue: Jan. 1, 2018

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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