PINKY’S SWEET TOOTH

Thanks to irrepressible optimism, clever publicity, and true love for her line of work, a shopowner turns a failing business around in this child’s-eye view of Enterprise At Work. It doesn’t hurt at all that Pinky’s business is making pastries and sweets—but even so, as her niece Lulu looks on anxiously, customers aren’t exactly crowding in. Pinky’s big break comes when she enters a monstrous “Triple Chocolate Yummie Bunny Coco Fudge Frenzy Torte Surprise” in the County Fair’s Best Dessert Contest—and loses on a technicality. Enthusiasm undimmed, she wheels her creation back to the shop, and it proves to be an absolute customer magnet. Malkin (Blanche and Smitty, 1987) depicts everyone here as an alligator in 1950s hair and garb, and festoons every scene with ornately decorated pastries, less caloric-looking than they might be thanks to a rather flat palette, but still mouthwatering. A gooey, triumphant follow-up to Alexa Brandenberg’s Chop, Simmer, Season (1997), Philemon Sturges’s Little Red Hen Makes a Pizza (1999), or other literary main courses. (Picture book. 6-8)

Pub Date: Feb. 1, 2003

ISBN: 0-525-47088-3

Page Count: 32

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2002

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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