Improbable plot is kept humming smoothly by Roberts (Midnight Bayou, 2001, etc.), whose fans oughta love it.
Archaeologist finds a lost tribe: hers.
Callie Dunbrook goes up against developer Ron Dolan, whose housing project has come to a halt because a bulldozer uncovered human remains. Though the site is near Antietam, Maryland, the bones predate the Civil War by thousands of years and are most likely from the burial ground of an unknown Neolithic tribe. The authorities force Dolan to lay off his crew, whose workboots and carelessness have already contaminated the site, before more damage is done. An excavation is planned, a process that will take months. So Callie makes the local news—and her face is seen by Suzanne Cullen, who’s sure that Callie’s triple dimples are identical to those of her long-lost baby girl. The sleeping infant was snatched from her stroller at a shopping mall only a few days after Callie was born, and, paying an unexpected visit, Suzanne insists that Callie is her child. Knowing that Suzanne is the CEO of a national firm reassures Callie that the woman is not a crank—though wrong. But a peek into a desk at her parents’ house uncovers adoption papers dated two months after her mother’s devastating miscarriage and a few days after little Jessica Cullen disappeared. Callie confronts her parents, who fess up at last, though insisting that the adoption was perfectly legal. Marcus Carlyle, a distinguished Boston lawyer, had arranged everything. He couldn’t possibly be a baby-seller and certainly not a kidnapper. Or could he? Callie looks for clues, with the help of her sexy ex, Jake Graystone. The trail leads back to nosy Nurse Poffenberger, who tells all; and then to Richard Carlyle, Marcus’s equally distinguished son, who isn’t talking. The plot thickens, with suspects appearing—and supporting characters disappearing—as fast as mechanical ducks in a shooting gallery.
Improbable plot is kept humming smoothly by Roberts (Midnight Bayou, 2001, etc.), whose fans oughta love it.Pub Date: April 1, 2003
ISBN: 0-399-14984-8
Page Count: 480
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2003
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
