Marcom’s second (squarely in the Joyce/Faulkner tradition) isn’t easy going. It amounts to a dogged examination, through an...
An Armenian wrestles with memories of his terrible childhood, the 1915 massacre of Armenians by the Turks. Marcom confronted the genocide head-on in her first novel, Three Apples Fall From Heaven (2001).
Some people never recover from childhood. Vahé Tcheubjian is one. In 1963, the 46-year-old cabinetmaker is living in Beirut with his Armenian wife, Juliana. The two have a childless but calm, stable marriage. But suddenly, Vahé’s memories surge back. The first enduring image is his arrival in Beirut at age five, having traveled from Turkey, with hundreds of other Armenian orphans, in filthy boxcars. The train stops, and the naked children are running joyously into the Mediterranean. The joy is short-lived, however, and Vahé will spend his next 11 years in an orphanage of Dickensian grimness. He’ll be taunted as a “Turk dog” because he speaks only Turkish, having been abandoned by his mother in circumstances Vahé can’t nail down. His unlikely savior is Vosto, the utterly abject newcomer who replaces Vahé as the lowest of the low. Vahé rapes Vosto along with the others. Marcom uses the steady accretion of images to build her story, and her capricious punctuation mirrors Vahé’s tortuous mental processes. In adulthood, his routines change, putting his marriage at risk. No more church on Sunday: Instead, he goes to the zoo, burning Jumba the chimp with his cigarettes—the chimp making a fitting substitute for the former “monkeyboy.” The same mix of cruelty and affection emerges in Vahé’s obsession with the Palestinian servant girl from the refugee camps; eventually, he forces himself on her (and Juliana interrupts them). It’s more than simple lust: In penetrating this outsider’s wretchedness, Vahé is back where he belongs, in the jungle.
Marcom’s second (squarely in the Joyce/Faulkner tradition) isn’t easy going. It amounts to a dogged examination, through an individual consciousness, of how the beast in us, properly nurtured, is always ready to spring. A brave undertaking, if only partially successful.Pub Date: April 12, 2004
ISBN: 1-57322-264-X
Page Count: 224
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2004
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
