by Michelle Herman ‧ RELEASE DATE: March 15, 2013
This slim volume includes two extended essays, incisive and conversational, that have plenty of connections between them.
Both “Dream Life” and “Seeing Things” were previously published in different form, but they complement each other as if they were two sides of the coin of the unconscious, the former focusing on dreams and how they work and what they mean, the latter illuminating a rare (or is it?) perception disorder that serves as a more general metaphor. As a writer (of fiction and memoir) and teacher of writing, Herman (Dog, 2005, etc.) confesses that she isn’t a specialist in these areas, that she has a “lack of expertise, paired with plenty of ideas…that combination of knowing little and having theories and opinions about much.” Yet her opinions are often revelatory and help her overcome the challenge that is central to the first and longer essay, that “nobody wants to hear anybody else’s dreams; everyone wants to tell his dreams to somebody.” So even as readers are threatened with drowning in details about the author’s dream of her grandmother, such specifics lead to the universal understanding that “understanding one’s dreams is more like reading Wallace Stevens—or looking at a painting of Mark Rothko’s—than it is like the one-to-one correlation…of translation. To make ‘sense’ of our dreams, we don’t interpret them so much as we feel our way through them.” The second essay proceeds from the way her daughter occasionally sees things (and her mother in particular) as much smaller or larger than they really are. What initially seems rare, even unique, turns out to be surprisingly common, as so many with whom they share this experience say that they, too, have had it and thought they were the only one. It even has a name: “Alice in Wonderland Syndrome.” Eventually, the author realizes that there are “no experts when it comes to the way our minds work. It turns out that your guess really is as good as mine—or as good as a neurobiologist’s.” An engaging companion offers a spirit of shared humanity.
Pub Date: March 15, 2013
ISBN: 978-1-60938-153-0
Page Count: 164
Publisher: Univ. of Iowa
Review Posted Online: Dec. 31, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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