by Michelle Herman ‧ RELEASE DATE: March 15, 2013
This slim volume includes two extended essays, incisive and conversational, that have plenty of connections between them.
Both “Dream Life” and “Seeing Things” were previously published in different form, but they complement each other as if they were two sides of the coin of the unconscious, the former focusing on dreams and how they work and what they mean, the latter illuminating a rare (or is it?) perception disorder that serves as a more general metaphor. As a writer (of fiction and memoir) and teacher of writing, Herman (Dog, 2005, etc.) confesses that she isn’t a specialist in these areas, that she has a “lack of expertise, paired with plenty of ideas…that combination of knowing little and having theories and opinions about much.” Yet her opinions are often revelatory and help her overcome the challenge that is central to the first and longer essay, that “nobody wants to hear anybody else’s dreams; everyone wants to tell his dreams to somebody.” So even as readers are threatened with drowning in details about the author’s dream of her grandmother, such specifics lead to the universal understanding that “understanding one’s dreams is more like reading Wallace Stevens—or looking at a painting of Mark Rothko’s—than it is like the one-to-one correlation…of translation. To make ‘sense’ of our dreams, we don’t interpret them so much as we feel our way through them.” The second essay proceeds from the way her daughter occasionally sees things (and her mother in particular) as much smaller or larger than they really are. What initially seems rare, even unique, turns out to be surprisingly common, as so many with whom they share this experience say that they, too, have had it and thought they were the only one. It even has a name: “Alice in Wonderland Syndrome.” Eventually, the author realizes that there are “no experts when it comes to the way our minds work. It turns out that your guess really is as good as mine—or as good as a neurobiologist’s.” An engaging companion offers a spirit of shared humanity.
Pub Date: March 15, 2013
ISBN: 978-1-60938-153-0
Page Count: 164
Publisher: Univ. of Iowa
Review Posted Online: Dec. 31, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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by Michelle Herman illustrated by Glen Holland
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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