by Michelle Lovric ‧ RELEASE DATE: Jan. 1, 2004
Maddeningly over the top and self-important, but as seductive as Venice.
A mix of fact and fiction juxtaposes the brief life of Roman poet Catullus with the sensation caused by the first printed edition of his highly charged poetry in 15th-centuryVenice.
Catullus arrived in Rome in 63 b.c. and promptly and permanently fell under the spell of a heartless, despicable noblewoman named Clodia. His sensual poetry addressed to her resurfaced in Venice during the late1400s, when most of Lovric’s bulky debut novel takes place. Wendolin von Speyer—who, like many of the characters here, actually existed but whose portrayal here should not be taken literally—has recently arrived from Germany with his printing press in tow. He falls deeply in love and marries the earthy, enchanting Lussièta. Meanwhile, Sosia, a Dalmatian Jewess whose rape as a child has damaged her soul, begins a journal describing all the Venetian men she sleeps with, most for money. Several powerful noblemen are thoroughly besotted with her, as is von Speyer’s young editor Bruno. The scribe Felice Feliciano is the one man Sosia herself loves, but he loves only books and, secretly, Bruno. Von Speyer’s publication of Catullus’s poems creates a public outcry and private crises. Sosia’s licentiousness gradually takes over her intellect. In the meantime, misunderstanding and distrust worm their way into the von Speyer marriage. Eventually, thanks to a mix of magic and/or happenstance, Sosia is destroyed, like Clodia before her. (Eaten up with venereal disease, she is accused of witchcraft.) Bruno finds a love worthy of his virtue, Felice sacrifices for his love, and the von Speyers regain their marital equilibrium. Lovric juggles these love stories and half a dozen others, including her characters’ passion for the written or printed word, but her own true love is Venice itself. The novel is rich in sensual descriptions of the city and its citizenry.
Maddeningly over the top and self-important, but as seductive as Venice.Pub Date: Jan. 1, 2004
ISBN: 0-06-057856-4
Page Count: 496
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2003
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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