Maddeningly over the top and self-important, but as seductive as Venice.
A mix of fact and fiction juxtaposes the brief life of Roman poet Catullus with the sensation caused by the first printed edition of his highly charged poetry in 15th-centuryVenice.
Catullus arrived in Rome in 63 b.c. and promptly and permanently fell under the spell of a heartless, despicable noblewoman named Clodia. His sensual poetry addressed to her resurfaced in Venice during the late1400s, when most of Lovric’s bulky debut novel takes place. Wendolin von Speyer—who, like many of the characters here, actually existed but whose portrayal here should not be taken literally—has recently arrived from Germany with his printing press in tow. He falls deeply in love and marries the earthy, enchanting Lussièta. Meanwhile, Sosia, a Dalmatian Jewess whose rape as a child has damaged her soul, begins a journal describing all the Venetian men she sleeps with, most for money. Several powerful noblemen are thoroughly besotted with her, as is von Speyer’s young editor Bruno. The scribe Felice Feliciano is the one man Sosia herself loves, but he loves only books and, secretly, Bruno. Von Speyer’s publication of Catullus’s poems creates a public outcry and private crises. Sosia’s licentiousness gradually takes over her intellect. In the meantime, misunderstanding and distrust worm their way into the von Speyer marriage. Eventually, thanks to a mix of magic and/or happenstance, Sosia is destroyed, like Clodia before her. (Eaten up with venereal disease, she is accused of witchcraft.) Bruno finds a love worthy of his virtue, Felice sacrifices for his love, and the von Speyers regain their marital equilibrium. Lovric juggles these love stories and half a dozen others, including her characters’ passion for the written or printed word, but her own true love is Venice itself. The novel is rich in sensual descriptions of the city and its citizenry.
Maddeningly over the top and self-important, but as seductive as Venice.Pub Date: Jan. 1, 2004
ISBN: 0-06-057856-4
Page Count: 496
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2003
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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