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THE TRUE AND SPLENDID HISTORY OF THE HARRISTOWN SISTERS

A dazzling, sometimes-lurid yet always lively adventure, indeed.

The Seven Swiney Sisters of Harristown, Ireland, thrillingly rise from starvation to stardom.  

Raised on barely boiled potatoes and tales of their sailor father—whose unpredictable nocturnal visits are witnessed only by their mother, whom they do not entirely believe—the Swiney girls are blessed with fantastic rivers of hair, cascading below their knees and ranging in color from honey gold to copper red to the deepest black. They divide themselves into two tribes, each headed by one of the incessantly squabbling twins, Berenice and Enda. Redheaded, wry (and increasingly suspicious) Manticory, who narrates the saga, sides with Enda; the eldest sister, raven-tressed Darcy, is far too busy bullying everyone to join either tribe. After Manticory is nearly assaulted by a hair-obsessed maniac, Darcy conceives a plan to free the girls from poverty: The sisters devise a vaudeville show (using cleverly penned scripts by Manticory) filled with maudlin songs and hair-oriented skits. The finale features the sisters simply letting down their prodigious locks, to the delight of hair fetishists, hair-remedy quacks and neglected housewives. Under Darcy’s domineering supervision, the show is wildly successful. Soon enough, though, unscrupulous men manage to manipulate the young women financially and romantically. As if avoiding scandals and negotiating the perils of notoriety weren’t enough, Manticory begins to have doubts about the products they hawk, Darcy’s fiscal shenanigans and the mysterious small grave in the backyard of their Harristown home. Based on the true story of the Sutherland Sisters (whose own celebrity crashed after lavish spending sprees), Lovric’s (Book of Human Skin, 2011, etc.) tale is lush with delightful Irish rhythms and memorable characters, including Darcy’s childhood nemesis, Eileen O’Reilly, who longs to be part of the raucous Swiney clan but must settle for elaborate verbal combat.

A dazzling, sometimes-lurid yet always lively adventure, indeed.

Pub Date: Aug. 12, 2014

ISBN: 978-1-62040-014-2

Page Count: 480

Publisher: Bloomsbury

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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