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THE TRUE AND SPLENDID HISTORY OF THE HARRISTOWN SISTERS

A dazzling, sometimes-lurid yet always lively adventure, indeed.

The Seven Swiney Sisters of Harristown, Ireland, thrillingly rise from starvation to stardom.  

Raised on barely boiled potatoes and tales of their sailor father—whose unpredictable nocturnal visits are witnessed only by their mother, whom they do not entirely believe—the Swiney girls are blessed with fantastic rivers of hair, cascading below their knees and ranging in color from honey gold to copper red to the deepest black. They divide themselves into two tribes, each headed by one of the incessantly squabbling twins, Berenice and Enda. Redheaded, wry (and increasingly suspicious) Manticory, who narrates the saga, sides with Enda; the eldest sister, raven-tressed Darcy, is far too busy bullying everyone to join either tribe. After Manticory is nearly assaulted by a hair-obsessed maniac, Darcy conceives a plan to free the girls from poverty: The sisters devise a vaudeville show (using cleverly penned scripts by Manticory) filled with maudlin songs and hair-oriented skits. The finale features the sisters simply letting down their prodigious locks, to the delight of hair fetishists, hair-remedy quacks and neglected housewives. Under Darcy’s domineering supervision, the show is wildly successful. Soon enough, though, unscrupulous men manage to manipulate the young women financially and romantically. As if avoiding scandals and negotiating the perils of notoriety weren’t enough, Manticory begins to have doubts about the products they hawk, Darcy’s fiscal shenanigans and the mysterious small grave in the backyard of their Harristown home. Based on the true story of the Sutherland Sisters (whose own celebrity crashed after lavish spending sprees), Lovric’s (Book of Human Skin, 2011, etc.) tale is lush with delightful Irish rhythms and memorable characters, including Darcy’s childhood nemesis, Eileen O’Reilly, who longs to be part of the raucous Swiney clan but must settle for elaborate verbal combat.

A dazzling, sometimes-lurid yet always lively adventure, indeed.

Pub Date: Aug. 12, 2014

ISBN: 978-1-62040-014-2

Page Count: 480

Publisher: Bloomsbury

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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