Next book

THE TRUE AND SPLENDID HISTORY OF THE HARRISTOWN SISTERS

A dazzling, sometimes-lurid yet always lively adventure, indeed.

The Seven Swiney Sisters of Harristown, Ireland, thrillingly rise from starvation to stardom.  

Raised on barely boiled potatoes and tales of their sailor father—whose unpredictable nocturnal visits are witnessed only by their mother, whom they do not entirely believe—the Swiney girls are blessed with fantastic rivers of hair, cascading below their knees and ranging in color from honey gold to copper red to the deepest black. They divide themselves into two tribes, each headed by one of the incessantly squabbling twins, Berenice and Enda. Redheaded, wry (and increasingly suspicious) Manticory, who narrates the saga, sides with Enda; the eldest sister, raven-tressed Darcy, is far too busy bullying everyone to join either tribe. After Manticory is nearly assaulted by a hair-obsessed maniac, Darcy conceives a plan to free the girls from poverty: The sisters devise a vaudeville show (using cleverly penned scripts by Manticory) filled with maudlin songs and hair-oriented skits. The finale features the sisters simply letting down their prodigious locks, to the delight of hair fetishists, hair-remedy quacks and neglected housewives. Under Darcy’s domineering supervision, the show is wildly successful. Soon enough, though, unscrupulous men manage to manipulate the young women financially and romantically. As if avoiding scandals and negotiating the perils of notoriety weren’t enough, Manticory begins to have doubts about the products they hawk, Darcy’s fiscal shenanigans and the mysterious small grave in the backyard of their Harristown home. Based on the true story of the Sutherland Sisters (whose own celebrity crashed after lavish spending sprees), Lovric’s (Book of Human Skin, 2011, etc.) tale is lush with delightful Irish rhythms and memorable characters, including Darcy’s childhood nemesis, Eileen O’Reilly, who longs to be part of the raucous Swiney clan but must settle for elaborate verbal combat.

A dazzling, sometimes-lurid yet always lively adventure, indeed.

Pub Date: Aug. 12, 2014

ISBN: 978-1-62040-014-2

Page Count: 480

Publisher: Bloomsbury

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview