An impressive companion for advanced studies in visual arts, accessible enough for general-interest readers.
A seasoned art scholar, editor and author presents an overview of art history with a suggested approach for identifying “true” visual art.
As the co-editor of the renowned art journal Aristos and co-author of What Art Is: The Esthetic Theory of Ayn Rand (2000), Kamhi brings to her newest book decades of study and practical experience in the art world. She provides a history of visual arts as viewed by Aristotle, Kant, Rand and others, and offers her list of “basic assumptions” about “true” art’s essential characteristics: “First, all works of art are made with special skill and care—they are not the product of casual whim, chance, or accident,” and, among other assertions, “They are not abstract.” She concludes: “Any work that does not possess all these attributes is either failed art or non-art.” In Chapters 3 and 4, Kamhi reviews 20th-century innovations she believes depart from conventionally accepted visual arts—including abstract art, pop art, installation art and similar visual art forms. Other chapters cover film as art, art education, the role art critics have played in promoting bad art, and the rewards of “real art.” Chapter 7, perhaps the book’s most engaging, reveals that, according to data from cognitive science, emotions are tied to sensory experiences, and perceptions of beauty and meaning aren’t really subjective. Online links to dozens of artists’ works help bring the text to life, and the extensive chapter endnotes offer solid supporting resources for further study. Kamhi’s writing is forceful and persuasive as she defends her conventional concept of art: “Prior to the early twentieth century, artists…employed imagery to embody meaning.” Abstract art is not “an intelligible vehicle of meaning or emotional expression,” she says; rather, it is “essentially a failed enterprise.” Certain appreciators might agree, but the art world no doubt has a compelling rebuttal.
An impressive companion for advanced studies in visual arts, accessible enough for general-interest readers.Pub Date: N/A
ISBN: N/A
Page Count: 336
Publisher: Ingram
Review Posted Online: May 25, 2014
Review Program: Kirkus Indie
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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