An impressive companion for advanced studies in visual arts, accessible enough for general-interest readers.
A seasoned art scholar, editor and author presents an overview of art history with a suggested approach for identifying “true” visual art.
As the co-editor of the renowned art journal Aristos and co-author of What Art Is: The Esthetic Theory of Ayn Rand (2000), Kamhi brings to her newest book decades of study and practical experience in the art world. She provides a history of visual arts as viewed by Aristotle, Kant, Rand and others, and offers her list of “basic assumptions” about “true” art’s essential characteristics: “First, all works of art are made with special skill and care—they are not the product of casual whim, chance, or accident,” and, among other assertions, “They are not abstract.” She concludes: “Any work that does not possess all these attributes is either failed art or non-art.” In Chapters 3 and 4, Kamhi reviews 20th-century innovations she believes depart from conventionally accepted visual arts—including abstract art, pop art, installation art and similar visual art forms. Other chapters cover film as art, art education, the role art critics have played in promoting bad art, and the rewards of “real art.” Chapter 7, perhaps the book’s most engaging, reveals that, according to data from cognitive science, emotions are tied to sensory experiences, and perceptions of beauty and meaning aren’t really subjective. Online links to dozens of artists’ works help bring the text to life, and the extensive chapter endnotes offer solid supporting resources for further study. Kamhi’s writing is forceful and persuasive as she defends her conventional concept of art: “Prior to the early twentieth century, artists…employed imagery to embody meaning.” Abstract art is not “an intelligible vehicle of meaning or emotional expression,” she says; rather, it is “essentially a failed enterprise.” Certain appreciators might agree, but the art world no doubt has a compelling rebuttal.
An impressive companion for advanced studies in visual arts, accessible enough for general-interest readers.Pub Date: N/A
ISBN: N/A
Page Count: 336
Publisher: Ingram
Review Posted Online: May 25, 2014
Review Program: Kirkus Indie
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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