Overlong but intermittently fascinating behind-the-scenes look at one of punk’s most unlikely icons.



The late Joey Ramone is feted with tough love in these cradle-to-grave memories from his kid brother Mickey Leigh (born Mitch Hyman).

In Leigh’s collaboration with longtime punk journalist McNeil (co-author: The Other Hollywood: The Uncensored Oral History of the Porn Film Industry, 2005, etc.), Joey Ramone (born Jeff Hyman) is the classic middle-class misfit whose salvation came in the rock ’n’ roll teen culture of the late 1960s. Growing up in suburban Forest Hills, N.Y., Leigh witnessed his sickly, awkward OCD brother transform from a freakish, sometimes violent kid to a moon-booted glam-rocker known as “Jeff Starship.” In the early ’70s Jeff transformed again—into Joey Ramone, the charismatic Ramones frontman and punk-rock heartthrob. Although Leigh planned to pursue his own dreams of rock stardom, initially he settled for being the Ramones’ underpaid roadie. From this vantage point he saw the band’s rise to international cult stardom through New York City’s fledgling CBGB punk scene. He also experienced firsthand the Ramones’ perpetually dysfunctional, dark netherworld governed by the near-psychotic dictatorial ways of guitar player Johnny Ramone. Frustrated and broke, Leigh eventually cut his professional ties with the Ramones and pursued a series of dead-end musical and occupational activities. When the author focuses on his own uphill battles, the memoir hits occasional snags. He hit up Joey for residual money for his backup vocals on the Ramones’ “Blitzkrieg Bop”—used in a 1991 Budweiser commercial—and had constant feuds with his brother about songwriting credit on their several musical collaborations. This belated demand for money and recognition seems somewhat hypocritical, especially considering Leigh had previously been determined to stake out his own identity apart from the Ramones. Nevertheless, Leigh showed dogged persistence in the face of constant futility. Sadly, though, it took Joey’s losing bout with cancer to fully reconcile the two brothers’ differences and bring them together again.

Overlong but intermittently fascinating behind-the-scenes look at one of punk’s most unlikely icons.

Pub Date: Dec. 1, 2009

ISBN: 978-0-7432-5216-4

Page Count: 384

Publisher: Touchstone/Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 2009

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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