by Micky Dolenz with Mark Bego ‧ RELEASE DATE: Sept. 1, 1993
A good-natured, superficial show-biz bio by the drummer of The Monkees, written with veteran rock-'n'-roll chronicler Bego (Aretha Franklin, 1989, etc.). From the start, Dolenz rode life like the Last Train to Larksville. In the 50's, as a ``hyperactive boy's boy,'' he snared the title role in the smash sitcom Circus Boy. A decade later came the Monkees, four zany young lads—from Hollywood, not Liverpool- -who answered the British rock invasion with their own American TV series. Producer (and future film director) Bob Rafelson knew what he was doing: The Monkees zoomed up the Nielsen ratings, and the group's early releases, penned by Neil Diamond (``I'm a Believer'') and other great songwriters, bumped the Beatles off the top of the charts. Why the clamor? Because, says Dolenz, The Monkees was the first TV show ``to depict young people on their own'': It was ``My Three Sons without Fred MacMurray.'' The show also gave birth to a new method of record promotion, through national TV rather than local radio—the first glimmer of the MTV revolution. For Dolenz, the series led to a magic sleigh ride: smoking hashish with Paul McCartney; starring in Head, a movie scripted by Jack Nicholson; bedding every starlet in sight. When the group split up, Dolenz hit the rocks—divorce, depression—but, more recently, spearheaded the Monkees' ``incredibly successful'' reunion (the top-grossing tour of 1986); he now works as a British TV director. Monkeyshines, nothing more, but it makes you want to hear those tunes again. (Sixteen pages of b&w photographs—not seen)
Pub Date: Sept. 1, 1993
ISBN: 1-56282-847-9
Page Count: 288
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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