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THE ONLY ONE LIVING TO TELL

THE AUTOBIOGRAPHY OF A YAVAPAI INDIAN

An ethnographic and historical prize from “that anthropological desideratum above all others—the native point of view.”

One shattered life in what was to become Arizona in the second half of the 19th century, on a personal scale and from a native perspective.

Burns started life as Hoomothya, aka Wet Nose, a child of one of the tribal branches gathered under the name Yavapai. In 1872, when he was about eight years old, his family was murdered at the Skeleton Cave Massacre, and Hoomothya was taken by Capt. James Burns, in whose home he fell somewhere between a ward and a servant, and renamed Mike Burns. This is the story of a swath of his life, though concentrating on the years 1872–1886, and told in his words. Aided by Bloomsbury Review and Encyclopaedia Britannica contributing editor McNamee’s (Aelian's On the Nature of Animals, 2011, etc.) light editorial touch, those words have an unfiltered, sand-blasted polish, spare and well-chosen and strung with piquant atmospherics and a decided sense of transport.  “Burns lived in two worlds, and he was at home in neither,” writes McNamee, but he did spend many years as a scout for the United States military, where he took part in the push westward. There is plenty of mayhem and bloodshed, but what gives this memoir its peerless value is the potency and immediacy of the observations. This might be as quotidian as herding chickens, or as appalling as a man shot at such close range his clothes caught on fire, or as evocative as the place descriptions, moving camp, “following a big wash upstream toward the Superstition Mountains near the Gold Field.” Threaded throughout is the mistreatment and murder of native populations that Burns, despite being a scout, could or would hardly ignore.

An ethnographic and historical prize from “that anthropological desideratum above all others—the native point of view.”

Pub Date: April 1, 2012

ISBN: 978-0-8165-0120-5

Page Count: 176

Publisher: Univ. of Arizona

Review Posted Online: Feb. 28, 2012

Kirkus Reviews Issue: March 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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