Buy it. Read it. Share it.
The last week at Scouting camp highlights accomplishments and humiliations that last a lifetime.
Aiden, a fat, biracial (Filipino and White), soon-to-be high schooler, is in his last week of Boy Scout camp in 1995. Each day documents events, from bonding over fireside songs and learning important skills to the micro- and macroaggressions that follow an adolescent boy of color who presents as effeminate and is queer. As the week moves on, readers learn more about Aiden and his life, from his stressful home with an emotionally abusive father to his love of Catholicism and being an altar server. The stress of a new school, bullies who are ever present, and struggles with identity drive Aiden to a breaking point, one that’s familiar to many young people. The monochromatic illustrations, sometimes highlighted with red, orange, and yellow, are timeless moments of a remembered childhood. The use of red to highlight the tangible (firelight, a Swiss Army knife) and represent the intangible (passion, sorrow, and hope) is a master class in simplicity. But the true star of this book is the writing, which describes a boy who could live in any decade on his journey of self-discovery. This is a story that will be read and reread, and for some, it will be the defining book of their adolescence.
Buy it. Read it. Share it. (afterword, resources) (Graphic fiction. 12-18)Pub Date: Sept. 1, 2020
ISBN: 978-1-62779-641-5
Page Count: 368
Publisher: Henry Holt
Review Posted Online: June 14, 2020
Kirkus Reviews Issue: July 1, 2020
PROFILES
SEEN & HEARD
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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