A tender and compelling coming-of-age story.
The award-winning author of Flamer (2020) offers his first book for adults.
Curato begins his latest graphic novel by following a young man as he walks into a gay bar for the first time. AJ is naïve, close to broke, and just beginning to explore the possibilities of Seattle in the early aughts. Curato uses images to give readers a glimpse of the familial conflict that drove his protagonist from upstate New York to the Pacific Northwest. AJ catches a break when a drag queen named K takes him under her wing and introduces him to her closest friends. The Boy Luck Club includes John, who is more comfortable connecting with people through a screen than in person, and his roommate, Steven, who uses his reputation for promiscuity to hide his inner struggles. As AJ experiences the frustrations of looking for love on a dating site and the inevitable disappointments of dating in real life, his friends and mentors are always there to catch him. (Their interventions include a terrific scene in which they rescue AJ when a white date takes him to Chinatown—a sure sign of a white guy who has a fetish for Asian men—and a screening of The Joy Luck Club). This is—more than anything, perhaps—a story about how the family we’re born into may compel us to create a chosen family, and how our own experiences might inspire us to expand our circle of care. Because he’s a neophyte himself, AJ is an excellent guide to his new world. More worldly-wise characters explain the nuances of being gay and Asian in a way that feels organic while offering an invitation to readers who aren’t familiar with this world themselves. Curato’s drawing style is economical. He’s able to convey a lot of meaning with a minimum of lines, and the page layouts are varied enough to hold our interest. He also makes good use of his medium, often letting pictures tell the story.
A tender and compelling coming-of-age story.Pub Date: June 3, 2025
ISBN: 9781643755120
Page Count: 384
Publisher: Algonquin
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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