by Mike Duncan ‧ RELEASE DATE: Aug. 24, 2021
An outstanding account of an almost impossibly eventful life.
A new biography of the giant of both European and American history.
The Marquis de Lafayette (1757-1834) did not fade away after the American Revolution. Instead, he loomed large on the world stage for decades after the war, and history podcaster Duncan does a fine job of filling out his subject’s life. Among the richest men in France, Lafayette sailed to America in 1777 at age 19 to join the rebellion, seeking mostly adventure. Anxious to smite France’s traditional enemy or simply find work, many Frenchmen did the same, but Lafayette didn’t exaggerate his military experience and made no demands on George Washington, who was charmed. Lafayette became a trusted lieutenant who fought the British, lobbied French leaders to support the rebellion, and entered the pantheon of Revolutionary heroes. Duncan tells this story in the first third of the book. Only 24 when the British surrendered, Lafayette returned to France to participate in efforts to reform the crumbling French economy. As commander general of the National Guard, he was a leading figure early in the French Revolution. When the Terror began in 1792, he fled to Austrian territory to escape arrest but was treated as a dangerous revolutionary and imprisoned for five years. Although freed by Napoleon, Lafayette disapproved of the military leader’s autocracy and retired from politics—until the monarchy’s restoration in 1814, when he again became a voice for liberal ideals. He opposed the Bourbons’ increasingly reactionary policies and supported the 1830 revolution that placed Louis-Philippe on the throne, but Lafayette found him a disappointment. Duncan displays impressive skill in keeping his Lafayette an admirable figure despite painful limitations. More energetic than intelligent, he was not ahead of his time. Popular histories extol his abolitionism, but this developed later; he had no objection to slavery while serving under Washington. His lack of personal ambition was unaccompanied by proficiency in France’s cutthroat politics, so his influence never matched his popularity.
An outstanding account of an almost impossibly eventful life.Pub Date: Aug. 24, 2021
ISBN: 978-1-5417-3033-5
Page Count: 512
Publisher: PublicAffairs
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by Mike Duncan
by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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