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THE MAKING OF A MIRACLE

THE UNTOLD STORY OF THE CAPTAIN OF THE 1980 GOLD MEDAL–WINNING U.S. OLYMPIC HOCKEY TEAM

Fans of Olympic hockey will delight in Eruzione’s spirited memoir.

The captain of the 1980 “miracle on ice” turns in his account of that victory.

In a moment that’s lodged in the memories of millions, Eruzione recounts how a team of American amateur hockey players, a couple of them still teenagers, faced off against a veteran Russian squad made up of professionals. It was a long shot, reckoned the author, who captained the American Olympic team at Lake Placid, and scarcely believable when the scoreboard turned 4-3 in favor of his team. Forging them into a unit was the work of coach Herb Brooks, who had a curious method: “he made us a close-knit team by making himself everybody’s enemy.” When his team won, he went off alone, not joining in the celebration. It was strange behavior, but it worked, and, as Eruzione allows, nobody was better than Brooks at getting inside a player’s head and pushing the right buttons to achieve the desired results. Some of the book, charming but hardly indispensable, concerns the author’s childhood in a poor but aspirational Italian American family in Boston, where “my mother had a pot with sausage and gravy on the stove every day.” Students of athletic development will be interested in his observation that he came to excel in hockey because he played two other sports, baseball and football, that taught him transferrable skills. But the best part of the narrative is the you-are-there, blow-by-blow account of that Lake Placid game of 1980, told with verve and a sharp eye for the right detail, which served him well in a later career as a sports commentator: “Mark picked up the puck and hit Robby McClanahan on the left wing. His shot went wide. Back the Soviets came to our side. Alexander Golikov tried a backhander. Jimmy sticked it aside. The puck got tied up along the boards. Another whistle. And an incident.”

Fans of Olympic hockey will delight in Eruzione’s spirited memoir.

Pub Date: Jan. 28, 2020

ISBN: 978-0-06-296095-5

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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