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Fiction-Writing Modes

ELEVEN ESSENTIAL TOOLS FOR BRINGING YOUR STORY TO LIFE

An orderly, no-frills guide to the craft of fiction writing.

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Klaassen (Cracks, 2014, etc.) identifies 11 different aspects of writing fiction in this how-to manual.

The average reader is probably familiar with some of the elements of fiction creation (or “modes,” as Klaassen terms them): “exposition,” “narration,” “action.” Others may seem a bit harder to pin down—“introspection,” for example, or “recollection.” There are 11 in all, according to the author’s categorization, and he’s quick to point out that no other available system currently recognizes them all: “If you don’t know the eleven, you may be writing without all the tools available to you,” he says. “That’s the equivalent of a painter trying to create masterpieces with only a few colors.” He gives each mode its own chapter, or more than one: a full quarter of the book, for instance, is dedicated to the mysteries of “conversation.” The book compiles the modes into larger divisions of “interiority,” “activity,” “dialogue,” and “exteriority.” Each chapter breaks into subsections tackling smaller topics, with many examples and checklists to keep the information organized and aid readers’ comprehension. The book’s chapter content tables and concluding reiterations of major points make the work bear a greater resemblance to a textbook than to many other writing guides. The book is surprisingly comprehensive, given its relatively short length, and it dedicates sections to questions as specific as the use of slang and the difference between concrete and abstract nouns. There’s a lot of advice here that even experienced writers may not have encountered before (such as, “In part, the amount of description depends upon the genre in which you are writing”). By the time Klaassen gets to “show, don’t tell,” readers will have gotten their money’s worth many times over. Overall, this book sits at the Apollonian end of the spectrum of writing guides, as the author attempts to break fiction writing down into as replicable a craft as possible. Free-spirited writers may prefer the softer, more personal touches of Anne Lamott and Natalie Goldberg, but aspiring scribblers who want to quickly absorb the fundamentals of the medium will find Klaassen’s book to be a concise manual.

An orderly, no-frills guide to the craft of fiction writing.

Pub Date: Nov. 3, 2015

ISBN: 978-1-68222-100-6

Page Count: 234

Publisher: BookBaby

Review Posted Online: April 26, 2016

Kirkus Reviews Issue: June 1, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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