Wholesome, uncomplicated fare for the younger Matt Christopher crowd.
Lupica kicks off a new series starring a pair of 8-year-old twins who solve sports-themed mysteries.
Even the pleasures of competing in various events during his school’s Spirit Week dim a smidge for Zach Walker when the prized autographed baseball he brings to his third-grade class for show and tell vanishes. Happily, his bookish but equally sports-loving sister, Zoe, is on the case, and by the time of the climactic baseball game at week’s end, she has pieced together clues and deductions that lead to the lost treasure—which had not been stolen but batted through an open window by the teacher’s cat and stashed in a storage shed by the custodian. In the co-published sequel, The Half-Court Hero, the equally innocuous conundrum hangs on the identity of the mysterious “guardian angel” who is fixing up a run-down playground basketball court. Along with plenty of suspenseful sports action, the author highlights in both tales the values of fair play, teamwork, and doing the “right thing.” The Walker family presents white, but in both the narrative and Danger’s appropriately bland (if inappropriately static) illustrations, the supporting cast shows some racial and ethnic diversity.
Wholesome, uncomplicated fare for the younger Matt Christopher crowd. (Fiction. 7-9)Pub Date: May 1, 2018
ISBN: 978-0-425-28936-5
Page Count: 80
Publisher: Puffin
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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