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IN THE COUNTRY DARK

Surprises add to a strong, scary story filled with questionable characters.

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A small-town West Virginia journalist gets mixed up with the wrong people and goes from writing obituaries to causing the need for them.

In Mallow’s thriller, news reporter Cabel Walsh says his mom meant to name him Caleb, but she was dyslexic. Yet she says her son “rebranded” himself as “Cabel” in grade school. Truth seems frequently fuzzy in this plot-driven tale about the week Cabel, roughly 10 years out of high school, reconnects with his childhood friend Troy Mason. Out of drug rehab and on the path to becoming an alcoholic, Troy vows revenge on nursing home director Adriane Knotts. She fired him for fighting with a resident. Cabel drives unemployed Troy to inquire about an “odd job” with El Oscuro—aka “The Recluse”—and his deadly associates. Rather than applying for a job, Troy offers to pay for one: the death of Mary Knotts, Adriane’s mother. Soon afterward, El Oscuro produces Mary’s obit. It’s two years old, but El Oscuro still demands payment. He says if Troy didn’t do due diligence to discover Mary was already dead, that’s his problem. It becomes Cabel’s problem, too, when Troy refuses to pay. Cabel, like Troy, becomes a target of El Oscuro and his associates. Surprisingly, the situation brings out killer instincts in once-bullied Cabel. When an injured victim curses at him, Cabel sets him on fire, saying, “Disappointing last words.” Unexpected humor punctuates this tense and often grisly series opener. Conversations are well crafted, especially those between Cabel and schoolteacher Miranda Murray, who meet frequently at a local bar. Although she refrains from drinking on a school night, when the conversation turns to political matters, she says: “Oy, now we’re into politics. I think I may go ahead and have a drink now.” A minus is that some sentences demand editing; for example: “The rugged Appalachian hills silhouetted against the darkening quintessence and soon it would dip into an unrelenting shade of black that only the unpopulated vacuum of the country could supply.”

Surprises add to a strong, scary story filled with questionable characters.

Pub Date: July 28, 2020

ISBN: 978-1-940249-18-6

Page Count: 222

Publisher: Cressen Books LLC

Review Posted Online: Sept. 1, 2020

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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