A thrilling, imaginative, and lurid illustrated novel that lovingly embraces the genre that inspired it.

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GRIM DEATH AND BILL THE ELECTROCUTED CRIMINAL

When he’s saved from an early death by a mad scientist, an orphan takes up the mantle of death in Prohibition-era America.

Imagine Batman’s origin story by way of H.P. Lovecraft and you’ll be well on your way to enjoying this phantasmagorical pulp thriller by Hellboy creator Mignola (Joe Golem and the Drowning City, 2012, etc.) and Sniegoski (The Demonists, 2016, etc.). When we first meet our hero, Bentley Hawthorne, he’s being patched up by his faithful servant, Reginald Pym, after a nasty battle with a mad scientist’s murderous capuchin monkeys—yes, it’s that sort of story. We quickly learn that as a sickly boy, Bentley’s parents committed a supernatural trespass that saved his life but cost their own. Later, the newly hearty Bentley is visited by Roderick (a talking raven, naturally). In a bit ripped from the pages of Edgar Allan Poe, Bentley is to become an avatar of death itself. “It will be your purpose...your job, to avenge those who have had their lives brutally torn away,” says the bird. To that end, Bentley has taken up the visage of Grim Death, a pistol-wielding, skull-masked superhero cast in the pulpy tradition of throwbacks like Doc Savage and The Shadow. Add in sparky reporter Gwendolyn Marks and a host of campy villains and we’re a few strokes away from a Frank Miller movie. Grim Death is pitted, among other challenges, against a family of cannibals and a “Circus of Unearthly Wonderment” led by the evil Doctor Nocturne. But the heart of the story finds Bentley charged with finding the killer of Tianna Hoops, a murdered trapeze artist whose ghost implores Bentley to free her wrongly imprisoned paramour, Bill Tuttle, now on death row. If you’re wondering if this is the title criminal, it is, and the book makes good on its promise.

A thrilling, imaginative, and lurid illustrated novel that lovingly embraces the genre that inspired it.

Pub Date: Feb. 28, 2017

ISBN: 978-1-250-07768-4

Page Count: 272

Publisher: St. Martin's

Review Posted Online: Dec. 7, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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