by Mike Stanton ‧ RELEASE DATE: June 26, 2018
A sturdy contribution to the literature of the sweet science, reminding readers of a bygone era of fighting.
“I will beat Joe Louis and I will beat any fighter I ever fight”: a satisfying biography of the iconic boxer, the only heavyweight champion to retire undefeated.
Born Rocco Marchegiano (1923-1969) to Italian immigrants in Massachusetts, Rocky Marciano wasn’t a pretty fighter. As Stanton (Journalism/Univ. of Connecticut; The Prince of Providence: The True Story of Buddy Cianci, America’s Most Notorious Mayor, Some Wiseguys, and the Feds, 2003) writes, he had “short, stubby arms, clumsy feet, and a bulldozer style that opened him up to fierce punishment.” He had a high-pitched voice and a gentle way outside the ring, but within it, he was lethal; his style may have lacked elegance, but he pounded his way through to 49 victories and zero defeats. Marciano also steered clear of the usual temptations of the ring—and of the mobsters that dominated the pro boxing business in those days. The author writes admiringly but not uncritically of Marciano, who, on leaving the sport, traded on his celebrity to snag free meals and hotel rooms and insisted on fat fees for showing up to events until his death in a plane crash. Stanton writes with knowing accuracy of the ins and outs of both boxing and Marciano’s storied career, including the development of what has forever since been known as the “Suzie-Q” punch and his work with Jewish trainers who, having worked the circuit themselves, appreciated Marciano’s ability to take a pounding and emerge the victor. As the author notes, many other fighters have held Marciano up as a model: Floyd Mayweather, a welterweight, waited for his 50th win before retiring undefeated, just to beat Marciano’s 49-win record, and Muhammad Ali reckoned that Marciano was the only fighter from the past who would have given him trouble in the ring. Famously, of course, Sylvester Stallone took big chunks of his screenplay for Rocky from Marciano’s life, which, overall, seems every bit as admirable as Rocky Balboa’s.
A sturdy contribution to the literature of the sweet science, reminding readers of a bygone era of fighting.Pub Date: June 26, 2018
ISBN: 978-1-62779-919-5
Page Count: 400
Publisher: Henry Holt
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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