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BIT FLIP: A NOVEL

Slow to start but a worthwhile, humorous take on the moral infirmities of the tech industry.

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In Trigg’s novel, a tech executive disillusioned by life in the Silicon Valley uncovers financial fraud at his company.

Sam Hughes is the COO at Ainetu, a company that designed an AI analytics platform that detects digital security threats. While the company is successful, Sam is increasingly discontent with the avarice and hypocrisy of the industry, and he’s unhappy with his own shallow motivations—all the elements of a familiar midlife crisis somewhat formulaically presented here by Trigg. Sam says, “I just feel like everything I’ve told myself for the last twenty years has been a lie. I pretend to have this higher purpose, but really what motivates me is envy of other people who have more success, more esteem, more money.” While appearing on a panel at a major tech conference, Sam freely shares his gathering cynicism and is fired for his candor by the company’s CEO, Rohan Sharma, a self-styled visionary who is too managerially incompetent to run the company without Sam. The timing couldn’t be worse for the COO. He has a wife, three kids, plenty of debt, and a father in financial trouble. Sam inadvertently discovers that Rohan is far from a commendable leader. Much of Trigg’s tale is achingly unoriginal, and the writing is competent but not noteworthy. The author’s insights into the artificiality of Silicon Valley culture won’t strike anyone as surprising. Nonetheless, this is a genuinely funny novel, and the second half of it redeems the first when a shopworn morality lesson takes an unexpected turn. The daring, authentic conclusion makes this otherwise humdrum work worth the labor.

Slow to start but a worthwhile, humorous take on the moral infirmities of the tech industry.

Pub Date: Aug. 16, 2022

ISBN: 978-1-68463-177-3

Page Count: 288

Publisher: SparkPress

Review Posted Online: April 13, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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