An excellent complement to recent work by other Russian journalists who have turned to history, and to brilliant purpose.

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THE EMPIRE MUST DIE

RUSSIA'S REVOLUTIONARY COLLAPSE, 1900-1917

A vivid, character-driven reconstruction of the period leading up to the overthrow of the Romanovs and the birth of modern Russia.

One-time TV host Zygar (All the Kremlin's Men: Inside the Court of Vladimir Putin, 2016) opens with a mild protest: he is a journalist and not a historian and so writes by the journalist’s playbook, “as if the characters were alive and I had been able to interview them.” Nonetheless, the author commands a powerful depth of historical knowledge and a novelist’s knack for sorting through the details to determine what is important and what’s ancillary. His book is long on meaningful storytelling in the service of finding out what went wrong in Russia’s brief moment of liberalism, an era that snapped shut a century ago. He adds that his characters, who range from rebels to royals, intellectuals to clerics, had no idea how their deeds would play out in history or how small events would turn into big ones. In some senses, the October Revolution began more than two years earlier, with anti-German riots that embraced the Empress Alexandra, “an ethnic German by birth.” The riots did not please Alexandra, still less the demands of the crowd that her confessor, Rasputin, be hanged, and still less the popularity of the general who restored order. In a narrative reminiscent of the best of Eduardo Galeano, Zygar raises all sorts of what-if questions in the reader’s mind: what if Alexander Kerensky had prevailed over Lenin? What if the old intelligentsia, civil service, and minor nobility had been able to integrate into Soviet society instead of being massacred by Stalin? What if the czarist state had been able to read the tea leaves better and accommodated the demands of the people for better food, better jobs, better government? The possibilities are endless—and endlessly fascinating.

An excellent complement to recent work by other Russian journalists who have turned to history, and to brilliant purpose.

Pub Date: Nov. 7, 2017

ISBN: 978-1-61039-831-2

Page Count: 576

Publisher: PublicAffairs

Review Posted Online: Oct. 2, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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