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HARRY GOLD

sense of loyalty, made it easy to betray his country.

Brooding, creepy fictional biography of the Jewish-American chemist who became a courier for the Soviets before and

during WWII and was significant in the exposure of Klaus Fuchs and the conviction of the Rosenbergs. The sensational spy stories of the “50s have been deflated by post-Cold War revelations that information allegedly leaked by Americans accused of serving the Soviets was not all that consequential. After Whittaker Chambers, the most pathetic American to plead guilty to espionage during the Red scare, was introverted Harry Gold, who lived with his brother and Russian-born parents in Philadelphia. Gold, a profoundly uninteresting bachelor whose underwhelming presence deflated Hoover's attempt to cast him as the embodiment of evil, dictated several detailed confessions to the FBI. He testified as a prosecution witness against the Rosenbergs, served half of a 30-year prison sentence, and then worked as a researcher in a hospital, dying at his parents' house in 1972. Gold has none of the glitter that appeals to biographers, but, as fictionalized by Dillon (You Are Not I: A Portrait of Paul Bowles, 1998, etc.), he becomes a classic le Carr‚ drudge, an intelligent, repressed social failure whose innocent urge to do good and suspicion of anti-Semitic Depression-era America make him an easy mark for Soviet recruiters. In dry, restrained prose, Dillon shows how Gold's hunger for human contact helps him ignore the hypocrisies and manipulations of his handlers. As a courier moving documents and money, he spends long hours on lonely trains, transfixed by the glamour his secret life provides. After building him up as an existential hero worthy of Graham Greene, Dillon piles on the irony, quoting long, patronizing passages from his trial and suggesting Gold's essential tragedy was that no one cared enough to know him. Intense, disturbing fictional portrait of a historical also-ran whose unshakable faith in human goodness, and deeply moving

sense of loyalty, made it easy to betray his country.

Pub Date: April 21, 2000

ISBN: 1-58567-012-X

Page Count: 288

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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