A very merry tale of romance that’s perfect for the holiday season.
A highborn lady must marry outside her class to save her family’s finances in Matthews’ (The Matrimonial Advertisement, 2018, etc.) latest Victorian romance.
Sophia Appersett is an appealing choice for a man looking for a wife. She’s smart, beautiful, sensible, and has what’s seen as the proper pedigree. Edward “Ned” Sharpe is an eligible bachelor—a self-made man with a substantial fortune but an unfortunate lack of experience in dating nobility. Ned follows poor advice in a gentleman’s etiquette book and manages to appear sullen, staid, and altogether disinterested in Sophie. As a result, she assumes that they have nothing in common and makes a move to end their courtship. But then Sophie catches a glimpse of the man beneath the mask and realizes that perhaps Ned feels things more deeply than she suspected. She proposes that they try to speak honestly with each other and encourages Ned to bring his parents to the Appersetts’ estate in Derbyshire over the holidays. Matthews includes all the required elements of a cozy English Christmas and a classic Victorian love story. Ned is the strong, silent type, and Sophie is predictably unaware of her own appeal; their budding romance is challenged by external forces, not the least of which are their respective parents: Sophie’s father is determined to modernize his estate and has spent both his daughters’ dowries in the quest for advancement, while Edward’s mother visibly disapproves of Sophie and her perceived snootiness. Yet the spirit of the season wins out, and the couple’s future is never really in doubt. Matthews’ novella is full of comfort and joy—a sweet treat for romance readers that’s just in time for Christmas. As in her previous historical romance novels, Matthews addresses hot topics in Victorian society; this time around, the theme is adaptation, as Sophie invites members of differing social classes to the Christmas celebration: “We’re part of the modern age,” Sophie tells her sister. “We must change along with it or be left behind in the dust.”
A very merry tale of romance that’s perfect for the holiday season.Pub Date: Nov. 13, 2018
ISBN: 978-0-9990364-7-1
Page Count: 172
Publisher: Perfectly Proper Press
Review Posted Online: Nov. 7, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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