A very merry tale of romance that’s perfect for the holiday season.

A HOLIDAY BY GASLIGHT

A VICTORIAN CHRISTMAS NOVELLA

A highborn lady must marry outside her class to save her family’s finances in Matthews’ (The Matrimonial Advertisement, 2018, etc.) latest Victorian romance.

Sophia Appersett is an appealing choice for a man looking for a wife. She’s smart, beautiful, sensible, and has what’s seen as the proper pedigree. Edward “Ned” Sharpe is an eligible bachelor—a self-made man with a substantial fortune but an unfortunate lack of experience in dating nobility. Ned follows poor advice in a gentleman’s etiquette book and manages to appear sullen, staid, and altogether disinterested in Sophie. As a result, she assumes that they have nothing in common and makes a move to end their courtship. But then Sophie catches a glimpse of the man beneath the mask and realizes that perhaps Ned feels things more deeply than she suspected. She proposes that they try to speak honestly with each other and encourages Ned to bring his parents to the Appersetts’ estate in Derbyshire over the holidays. Matthews includes all the required elements of a cozy English Christmas and a classic Victorian love story. Ned is the strong, silent type, and Sophie is predictably unaware of her own appeal; their budding romance is challenged by external forces, not the least of which are their respective parents: Sophie’s father is determined to modernize his estate and has spent both his daughters’ dowries in the quest for advancement, while Edward’s mother visibly disapproves of Sophie and her perceived snootiness. Yet the spirit of the season wins out, and the couple’s future is never really in doubt. Matthews’ novella is full of comfort and joy—a sweet treat for romance readers that’s just in time for Christmas. As in her previous historical romance novels, Matthews addresses hot topics in Victorian society; this time around, the theme is adaptation, as Sophie invites members of differing social classes to the Christmas celebration: “We’re part of the modern age,” Sophie tells her sister. “We must change along with it or be left behind in the dust.”

A very merry tale of romance that’s perfect for the holiday season.

Pub Date: Nov. 13, 2018

ISBN: 978-0-9990364-7-1

Page Count: 172

Publisher: Perfectly Proper Press

Review Posted Online: Nov. 7, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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