Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • National Book Award Finalist

Next book

PACHINKO

An old-fashioned epic whose simple, captivating storytelling delivers both wisdom and truth.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • National Book Award Finalist

An absorbing saga of 20th-century Korean experience, seen through the fate of four generations.

Lee (Free Food for Millionaires, 2007) built her debut novel around families of Korean-Americans living in New York. In her second novel, she traces the Korean diaspora back to the time of Japan’s annexation of Korea in 1910. “History has failed us,” she writes in the opening line of the current epic, “but no matter.” She begins her tale in a village in Busan with an aging fisherman and his wife whose son is born with a cleft palate and a twisted foot. Nonetheless, he is matched with a fine wife, and the two of them run the boardinghouse he inherits from his parents. After many losses, the couple cherishes their smart, hardworking daughter, Sunja. When Sunja gets pregnant after a dalliance with a persistent, wealthy married man, one of their boarders—a sickly but handsome and deeply kind pastor—offers to marry her and take her away with him to Japan. There, she meets his brother and sister-in-law, a woman lovely in face and spirit, full of entrepreneurial ambition that she and Sunja will realize together as they support the family with kimchi and candy operations through war and hard times. Sunja’s first son becomes a brilliant scholar; her second ends up making a fortune running parlors for pachinko, a pinball-like game played for money. Meanwhile, her first son’s real father, the married rich guy, is never far from the scene, a source of both invaluable help and heartbreaking woe. As the destinies of Sunja’s children and grandchildren unfold, love, luck, and talent combine with cruelty and random misfortune in a deeply compelling story, with the troubles of ethnic Koreans living in Japan never far from view.

An old-fashioned epic whose simple, captivating storytelling delivers both wisdom and truth.

Pub Date: Feb. 7, 2017

ISBN: 978-1-4555-6393-7

Page Count: 496

Publisher: Grand Central Publishing

Review Posted Online: Sept. 25, 2016

Kirkus Reviews Issue: Oct. 15, 2016

Categories:
Next book

HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

Categories:
Next book

THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

Categories:
Close Quickview