A pellucid memoir of letting go and coming to terms.
A child prodigy suffers a great loss and then finds herself.
This memoir tells a number of different stories, all of them involving what the virtuosic violinist calls “two Mins.” The first is that of a South Korea–born girl living in England learning that children should be subservient to elders and that girls are inferior. Then there is the prodigy Min, who came to realize just how isolated she had become from ordinary life. Ultimately, there was Min with the violin and Min without, and she developed into a woman who has a life independent of her instrument, one who has found some measure of peace and fulfillment on her own as well as a mature perspective on what she has been through: “I was a little Korean girl thrown into a strange world. I was asked to perform without quite knowing who I was. It’s still a strange world, and I am still Korean, but I don’t bow any more. I know who I am.” In the early chapters, the writing about a child’s passion for music, how it differs for a prodigy, and how it feels to be part of two cultures and somehow apart from each has a purity and stylistic simplicity that are themselves musical, as if Kym has been able to transfer her great potential from her violin to her writing. Yet the story at the heart of this memoir has a complexity with which the author still wrestles. Kym resents that she accedes to the insistence of others, to mentors and to men in general, and her failure to follow her better instincts resulted in the theft of her extremely valuable 1696 Stradivarius violin. She might have eventually gotten it back if, again, she hadn’t listened to others in making wrong decisions. The story of losing, regaining, and losing the violin again keeps the author torn between accepting responsibility and resenting others. “I had devils in my ear,” she writes.
A pellucid memoir of letting go and coming to terms.Pub Date: April 25, 2017
ISBN: 978-0-451-49607-2
Page Count: 240
Publisher: Crown
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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