Less stylish than Ed Young’s classic Seven Blind Mice but a serviceable rendition nonetheless.

READ REVIEW

ELEPHANT IN THE DARK

An Iranian-American author recasts an anecdote from the Persian poet Rumi, itself based on a far older tale about perceiving parts of a truth rather than its whole.

Javaherbin adds characters and plot to the bare-bones original and reduces Rumi’s lengthy mystical exegesis to a line. So curious are local villagers about the strange beast Ahmad the merchant has brought from India that they sneak into the dark barn where the creature is kept. Each returns with a different impression: one trips over the animal’s nose and announces that it’s like a snake, but it is more like a tree to one who feels its leg, and so on. Their squabble is so intense that they don’t even notice when Ahmad arrives to lead the elephant out to the river—leaving each with “only a small piece of the truth.” Yelchin outfits the villagers in curly-toed slippers and loose, brightly patterned caftans. He also puts a nifty spin on the story by leaving the adults to argue obliviously but surrounding the elephant at the wordless end with smiling, plainly clearer-eyed children. Though the language is bland, the wildly gesticulating figures in the illustrations add a theatrical element, and the episode makes its points in a forthright way. An excellent source note traces the familiar tale back to its earliest versions.

Less stylish than Ed Young’s classic Seven Blind Mice but a serviceable rendition nonetheless. (Picture book/folk tale. 6-8)

Pub Date: Aug. 25, 2015

ISBN: 978-0-545-63670-4

Page Count: 40

Publisher: Scholastic

Review Posted Online: June 6, 2015

Kirkus Reviews Issue: June 15, 2015

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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