An enjoyable, finely written fantasy tale.

READ REVIEW

LIGHTS ON THE SEA

A fabulist debut novel tells the story of an older couple on an unexpected voyage.

Harold and Mary Rose Grapes live in the most remote house at the highest point on Brent Island. They’ve spent 35 years there mourning the loss of their son, Dylan, but now the government is evicting them from their swiftly eroding cliffside dwelling and relocating them to a retirement home. But on the night before they are to move, a massive storm blows in and tears the house from its perch: “The last section of earth supporting the house broke away from the rest of the cliff. The cable groaned and finally snapped. The yellow house, along with a section of garden attached to the foundation, began to freefall toward the white-capped sea.” Luckily, when the foundation of the house hits the ocean water below, it floats. Harold links this miracle to the “petrified air pockets” in the island’s volcanic rock. An astonished Mary Rose asks: “You think that the rock around the basement is supporting the house? It’s why we’re floating like a cork instead of sinking?” Stranded at sea without electricity, water, or much food, Harold and Mary Rose must reawaken their past ingenuity in order to survive. Contending with dangerous animals and icebergs, the Grapeses sail their house as best they can, slowly leaving behind all the things tying them to the past: their grief, their property, the island that they never left. As they move toward a mysterious light on the horizon, they discover that even in their old age, life has surprises in store for them. More importantly, they still have the capacity to amaze themselves. Reina, as translated from the Spanish by Nelson (A Love for Rebecca, 2013), writes in a lyrical prose that highlights the magic of his magical realist premise: “Pieces of paper slipped like eels hiding between boxes and broken furniture.…Sunlight fell on the thick bottom of a broken drinking glass, passing though it like the glass was a prism, its light spraying into a fan of colors.” The book is wonderfully paced and suitably tense without ever drifting into melodrama. It reads like a cozy, middle-grade fantasy novel, but for an adult audience. The ending is perhaps a bit easy, but Reina succeeds in crafting a resonant fable of life’s autumn years.

An enjoyable, finely written fantasy tale.

Pub Date: Sept. 25, 2018

ISBN: 978-1-5039-0320-3

Page Count: 272

Publisher: AmazonCrossing

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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