by Miranda Carter ‧ RELEASE DATE: March 23, 2010
Carter sharply sorts history in terms of the personal ruling styles of these three fallible monarchs.
Carter (Anthony Blunt: His Lives, 2002) examines the well-worn but endlessly fascinating history of the tight, treacherous ties that bound the royal families of Europe in the early 20th century.
Queen Victoria’s “secret weapon” had been to manage world affairs through the intricacies of her far-flung familial relationships, and all three reigning monarchs by the start of World War I were bound to her by blood and marriage: Kaiser Wilhelm II, Emperor of Germany, was her first grandchild via daughter Vicky; George V, King of England, was another grandson, via her son Edward VII; and Tsar Nicholas II was married to one of her granddaughters, Alexandra. All three cousins spent time together when they were young, and more or less got along. Carter creates elucidating snapshots of their respective dysfunctional upbringings. Wilhelm, who resented his pushy English mother, exhibited symptoms of “narcissistic personality disorder” and went through a period of Anglophobia (he had insulted his grandmother and the English regarded him as a “bumptious Prussian”), before relations improved with his accession to emperor in 1888. Nicholas had suddenly become tsar with the early death of his father in 1894; terrified and wholly unprepared, he was comforted by his English royal cousins before his inscrutability and “opacity” isolated him in Europe in terms of affairs in Africa, the Ottoman Empire and Manchuria. George, probably dyslexic as well as given to bursts of private rage, became the reluctant king in 1910 and was deeply attached to his entitlement and hostile to change such as socialism and trade unions. When the war in the Balkans broke out, the three cousins found themselves entrenched in “deepening cracks of mistrust and tension,” as events slipped beyond their control.
Carter sharply sorts history in terms of the personal ruling styles of these three fallible monarchs.Pub Date: March 23, 2010
ISBN: 978-1-4000-4363-7
Page Count: 528
Publisher: Knopf
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 1, 2010
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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