An eminently readable book that offers contemporary readers valuable insights into racial relations of centuries past.

BLACK TUDORS

THE UNTOLD STORY

An intriguing history of Africans in Tudor England.

Kaufmann (Senior Research Fellow/Institute for Commonwealth Studies, Univ. of London) presents the stories of 10 African men and women engaged in a variety of occupations, from trumpeter to trader. The author argues that the common perception that all Africans were enslaved by the British is erroneous and that Renaissance England had many free Africans who were part of the social fabric. “Despite the insatiable appetite for all things Tudor, from raunchy television series to bath ducks modelled as Henry VIII and Anne Boleyn,” she writes, “the existence of the Black Tudors is little known.” Through meticulous archival research, Kaufmann creates compelling portraits of her subjects, including a trumpet player at Henry VIII’s court, a salvage diver, a circumnavigator, a porter, a silk weaver, a Moroccan convert, a prince involved in trade negotiations, a mariner, a woman involved in sex work, and an independent single woman. Since they left few documents behind, Kaufmann pieces together their histories from church records, references in various documents by influential Englishmen, literary works, paintings, and other sources. Each story is anchored in the social and political history of the time. Thus, readers learn much about Henry VIII’s courtiers; West African deep-sea divers, who used no diving equipment but could reach sunken ships to retrieve goods; Francis Drake and his treacherous ways; prostitution in Tudor and Stuart England; and the processes of silk weaving and dairy farming. The narrative is engaging, and the author’s argument about how Africans were generally accepted in Tudor England is persuasive. She provides a wealth of detail and only occasionally gets lost in minutiae, making the book a highly instructive history of an understudied part of Tudor society

An eminently readable book that offers contemporary readers valuable insights into racial relations of centuries past.

Pub Date: Nov. 14, 2017

ISBN: 978-1-78607-184-2

Page Count: 384

Publisher: Oneworld Publications

Review Posted Online: Sept. 10, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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