Smarter and more thoughtful than its cinematic inspirations.
Emulating the comedic stylings of indie hits like Little Miss Sunshine provides a wealth of material and a breath of fresh air for Canadian novelist Toews (A Boy of Good Breeding, 2006, etc).
“Yeah, so things have fallen apart,” declares reluctant narrator Hattie Troutman, summarizing her situation with a postmodern echo of Yeats’ famous lament. Yanked from her Parisian fantasy life as an expatriate living with her leech of a boyfriend, prodigal sibling Hattie rushes home to Manitoba when her sister Min is hospitalized with another catatonic bout, symptomatic of a lifelong mental illness. Hattie is marooned with Min’s 11-year-old daughter Thebes, a goofy smart aleck with a predilection for busting into gangsta rap, and 15-year-old son Logan, a moody renegade who channels his aggression into basketball. Absent of maternal instincts, Hattie decides the best course of action is a road trip to find the kids’ long-absent father, Doug Cherkis. Commandeering a beat-up van, the trio travels through the alien landscapes of Cheyenne, Moab and Twentynine Palms in search of the anarchic artist who reportedly spawned the lesser Troutmans. Life on the road doesn’t increase Hattie’s affection toward her charges. “I thought: Strangle the children, dump their bodies in the ditch,” she notes early in her voyage. With barbed wit, Toews plunders some of the emotional themes from her earlier work, among them absent fathers, the trials of adolescence and the tribulations of single motherhood. The story feels suspiciously directionless much of the time. Fortunately, the snappy personalities of Hattie’s charges and the odd collection of ramblers, Jesus freaks and vagabonds they encounter make for entertaining interludes between the deliciously uncomfortable silences of the book’s primary characters.
Smarter and more thoughtful than its cinematic inspirations.Pub Date: Oct. 1, 2008
ISBN: 978-1-58243-439-1
Page Count: 304
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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