A starscape filled with visual drama and brilliance.
A dancer offers encouragement to those who dream of following her onto the stage.
Copeland, a soloist with American Ballet Theater, is a rara avis, an African-American ballerina. In this, her first book for children, she establishes a dialogue with an imaginary young girl, also black, who is full of doubts. Copeland assures her that she too was “a dreaming shooting star of a girl” who worked very hard in class. Likewise, the young girl can “become a swan, a beauty, a firebird for sure.” The text is untrammeled by capital letters or periods, and the language soars into dizzying heights of lyrical fancy that barely contain her message of inspiration. Myers’ artwork, a combination of textured paintings and collage, is the true standout. His vibrant reds, golds and blues, set into the sharp-edged patterns of the backgrounds, evoke the intense drama of the Firebird ballet and pulsate with kinetic synergy. Double-page spreads depict the young girl maturing from loneliness to uncertainty to accomplishment as the ballerina practices at the barre and provides a one-on-one display of bravura technique. The New York City skyline sparkles as Copeland does jetés over a jeweled Brooklyn Bridge.
A starscape filled with visual drama and brilliance. (author’s note) (Picture book. 6-10)Pub Date: Sept. 4, 2014
ISBN: 978-0-399-16615-0
Page Count: 40
Publisher: Putnam
Review Posted Online: June 17, 2014
Kirkus Reviews Issue: July 15, 2014
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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