A sentimental meditation on "[w]hat is false about hope?"
Albom (The Time Keeper, 2012, etc.) goes divine again in a story about love, forgiveness and the hereafter.
Sully Harding’s a disgraced ex-military pilot. Sully hadn’t expected the assignment to ferry a jet cross-country, and so he’d indulged in a drink the night before. Making a stopover to meet his wife, Sully received incorrect instructions from ground control, resulting in a midair collision. There were no serious injuries, but driving to the airport, Sully’s wife was mortally injured in a car crash, hit by the controller attempting to flee his mistake. Flight recording missing and blood alcohol content registered, Sully pled guilty and was sentenced to prison. Depressed after his wife’s death, Sully’s now home in Coldwater, Mich., selling newspaper ads just as Coldwater’s spotlighted in an astounding news story: Residents are receiving phone calls from heaven. Katherine hears from her beloved sister. Tess hears from her mother. Even the police chief hears from his son killed in Afghanistan. The messages are brief and reassuring: "The end is not the end." Angry and bitter, worried about his young son awaiting a call from his dead mother, Sully wants to prove the calls a hoax. The church hierarchy’s befuddled by the apparent miracle, but wise old Pastor Warren’s skeptical. Amy, ambitious small-time television reporter, is reluctant to join the media circus but grows jealous as Oprah-types bask in the hype’s spotlight. Sully himself faces a momentous decision as the phone calls are broadcast worldwide in a television spectacular. Albom’s story is simplistic theology about love’s eternal nature, forgiveness and the afterlife. There’s a hint of romance and some formulaic secondary characters, including the crusty old seen-everything local reporter and the odd, out-of-place funeral director. Framed by short anecdotes relating to Alexander Graham Bell’s invention of the telephone, Albom’s story unfolds in reportorial-style sketches, right up to a double-twist conclusion.
A sentimental meditation on "[w]hat is false about hope?"Pub Date: Nov. 12, 2013
ISBN: 978-0-06-229437-1
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 28, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Another artistic triumph, and surefire bestseller, for this fearless writer.
This Afghan-American author follows his debut (The Kite Runner, 2003) with a fine risk-taking novel about two victimized but courageous Afghan women.
Mariam is a bastard. Her mother was a housekeeper for a rich businessman in Herat, Afghanistan, until he impregnated and banished her. Mariam’s childhood ended abruptly when her mother hanged herself. Her father then married off the 15-year-old to Rasheed, a 40ish shoemaker in Kabul, hundreds of miles away. Rasheed is a deeply conventional man who insists that Mariam wear a burqa, though many women are going uncovered (it’s 1974). Mariam lives in fear of him, especially after numerous miscarriages. In 1987, the story switches to a neighbor, nine-year-old Laila, her playmate Tariq and her parents. It’s the eighth year of Soviet occupation—bad for the nation, but good for women, who are granted unprecedented freedoms. Kabul’s true suffering begins in 1992. The Soviets have gone, and rival warlords are tearing the city apart. Before he leaves for Pakistan, Tariq and Laila make love; soon after, her parents are killed by a rocket. The two storylines merge when Rasheed and Mariam shelter the solitary Laila. Rasheed has his own agenda; the 14-year-old will become his second wife, over Mariam’s objections, and give him an heir, but to his disgust Laila has a daughter, Aziza; in time, he’ll realize Tariq is the father. The heart of the novel is the gradual bonding between the girl-mother and the much older woman. Rasheed grows increasingly hostile, even frenzied, after an escape by the women is foiled. Relief comes when Laila gives birth to a boy, but it’s short-lived. The Taliban are in control; women must stay home; Rasheed loses his business; they have no food; Aziza is sent to an orphanage. The dramatic final section includes a murder and an execution. Despite all the pain and heartbreak, the novel is never depressing; Hosseini barrels through each grim development unflinchingly, seeking illumination.
Another artistic triumph, and surefire bestseller, for this fearless writer.Pub Date: May 22, 2007
ISBN: 1-59448-950-5
Page Count: 336
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK TO SCREEN
A thought-provoking look at women of a certain age and the choices they make when they realize their lives aren’t exactly...
In a Marin County neighborhood, four women help each other amid marital strife, personal crises and life-altering epiphanies.
For years, Mill Valley, Calif., neighbors Gerri, Andy and Sonja have started most of their days with a brisk walk, but one early spring morning, Andy has had enough with her younger second husband, and she skips the walk and throws him out. It is a loud, angry event, but it is a long time coming, and it sets off a series of surprising upheavals in the lives of her friends. Gerri takes an unplanned trip to her husband’s office in San Francisco, and a conversation with his co-worker makes her question everything she knew about her marriage. Sonja, dedicated to New-Age strategies for health and wellness, is thrown off balance by Andy’s marital strife, then spirals into life-threatening depression when her husband leaves her. As each woman deals with her own personal crossroad, they are collectively drawn to newcomer BJ, who has never shown interest in socializing before but becomes the fresh new pair of eyes that notices change at crucial moments and steps in to help when help is most needed. Hugely popular romance author Carr (The Wanderer, 2013, etc.) steps into women’s fiction territory with this quietly powerful exploration of friendship, marriage and midlife crisis. The characters are realistic and compelling, facing life after 40 with grace, courage and a fierce interpersonal loyalty that is convincing and inspiring. The storyline sounds familiar, yet Carr handles the plot and characters with a deft hand and enough unique twists that we are invested in the characters’ well-beings, and we are touched by their struggles, especially since we see each of them at their best and their worst.
A thought-provoking look at women of a certain age and the choices they make when they realize their lives aren’t exactly what they expected—or thought they were.Pub Date: March 25, 2014
ISBN: 978-0-7783-1681-7
Page Count: 368
Publisher: Harlequin MIRA
Review Posted Online: Feb. 3, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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