by Mitch Albom ‧ RELEASE DATE: Oct. 16, 2018
For those who prize fortune-cookie philosophy and sticky-sweet resolutions, this is just the ticket to ride.
Albom (The Magic Strings of Frankie Pesto, 2015, etc.) returns to the scene of previous literary crime: heaven, that is, and the realm of departed folks who are only too glad to dispense advice.
"This is a story about a woman named Annie, and it begins at the end, with Annie falling from the sky.” In this sequel to The Five People You Meet in Heaven (2003), gruff Eddie the maintenance man gets to have a little chat with the aforementioned Annie, for whom he gave up his life in a freak roller-coaster accident in the first book, sparing her from death. So what’s she doing up in the afterlife? Well, it seems Annie has fallen in love, married, and then honored the event by going up in a hot air balloon. What is it with her and divergent modes of transportation? And now, thanks to high-tension wires, Annie has bitten the big one—or maybe not—and is wandering around in the clouds reliving past mistakes and holding self-discovery sessions with, yes, five of her predecessors in the dirt nap. You’d think Eddie would be a little ticked that he lost a decade to a woman who seemed destined for the express checkout lane in any case, especially because, Albom writes, “She never thought about heaven.” He adds, helpfully, “But heaven is always thinking about us.” Yep, and yuck. There’s more than a little of The Little Prince here (“A vast brown desert surrounded her. / And she was alone”) and more than a little too much wisdom (“We don’t realize who else we punish while we’re punishing ourselves"). A question: Isn’t it a cheat when one of the dead quintet is a dog? And further: If you avoid death proper but have met your allotted five people in the great fluffy cloud beyond during your near-death experience, do you have to meet five other people when your time actually does come? Isn’t that fudging the numbers?
For those who prize fortune-cookie philosophy and sticky-sweet resolutions, this is just the ticket to ride.Pub Date: Oct. 16, 2018
ISBN: 978-0-06-229444-9
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by C.S. Lewis ‧ RELEASE DATE: Jan. 1, 1942
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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