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IN THE SHADOW OF STATUES

A WHITE SOUTHERNER CONFRONTS HISTORY

A powerful, welcome manifesto in the cause of a new and better South—and a “better America.”

“Has the white South truly reckoned with the Civil War?” The mayor of New Orleans, scion of an old progressive family, writes of the controversy surrounding his city’s removal of monuments to the Confederacy.

Landrieu acquired national renown during the fraught post-Charlottesville spring of 2017 when he delivered a reasoned if quietly defiant speech about the reasons that New Orleans decided to remove four Confederate monuments, a decision that “wasn’t sitting well with some of the powerful business interests in the state.” In fact, some of the contractors who bid to do the removal work came under the threat of death, even as inflamed neo-Confederates and their allies protested what Landrieu defended as the prerogative of a democratically elected city government. That opposition, the author unhesitatingly declares, represents institutionalized racism: “You may have the law on your side, but if someone else controls the money, the machines or the hardware you need to make your new law work, you are screwed.” African-Americans, he adds, know all about this perversion of justice, but it’s an eye-opener for others who have not experienced that update of the peculiar institution. The statues—of Robert E. Lee, Pierre Beauregard, Jefferson Davis, and the “Reconstruction-era organization of racial militants” called the White League—may disappear, but the attitudes of those defending them will take longer to erase, particularly given the intransigent leadership of people like David Duke. Landrieu charts his family’s long history of racial fairness; his father, as he recalls, “voted against twenty-nine Jim Crow laws at the [Louisiana] legislature in 1960,” falling afoul of the segregationist leadership. The author concludes by noting that while the tide seems to be turning, the conflict endures, with “domestic terrorism” afoot as “part of the ho-hum racism that eats through our country every day.”

A powerful, welcome manifesto in the cause of a new and better South—and a “better America.”

Pub Date: March 20, 2018

ISBN: 978-0-525-55944-3

Page Count: 240

Publisher: Viking

Review Posted Online: Feb. 4, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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