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IN THE SHADOW OF STATUES

A WHITE SOUTHERNER CONFRONTS HISTORY

A powerful, welcome manifesto in the cause of a new and better South—and a “better America.”

“Has the white South truly reckoned with the Civil War?” The mayor of New Orleans, scion of an old progressive family, writes of the controversy surrounding his city’s removal of monuments to the Confederacy.

Landrieu acquired national renown during the fraught post-Charlottesville spring of 2017 when he delivered a reasoned if quietly defiant speech about the reasons that New Orleans decided to remove four Confederate monuments, a decision that “wasn’t sitting well with some of the powerful business interests in the state.” In fact, some of the contractors who bid to do the removal work came under the threat of death, even as inflamed neo-Confederates and their allies protested what Landrieu defended as the prerogative of a democratically elected city government. That opposition, the author unhesitatingly declares, represents institutionalized racism: “You may have the law on your side, but if someone else controls the money, the machines or the hardware you need to make your new law work, you are screwed.” African-Americans, he adds, know all about this perversion of justice, but it’s an eye-opener for others who have not experienced that update of the peculiar institution. The statues—of Robert E. Lee, Pierre Beauregard, Jefferson Davis, and the “Reconstruction-era organization of racial militants” called the White League—may disappear, but the attitudes of those defending them will take longer to erase, particularly given the intransigent leadership of people like David Duke. Landrieu charts his family’s long history of racial fairness; his father, as he recalls, “voted against twenty-nine Jim Crow laws at the [Louisiana] legislature in 1960,” falling afoul of the segregationist leadership. The author concludes by noting that while the tide seems to be turning, the conflict endures, with “domestic terrorism” afoot as “part of the ho-hum racism that eats through our country every day.”

A powerful, welcome manifesto in the cause of a new and better South—and a “better America.”

Pub Date: March 20, 2018

ISBN: 978-0-525-55944-3

Page Count: 240

Publisher: Viking

Review Posted Online: Feb. 4, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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