A potent book that revels in the author’s truthful experiences while maintaining the jagged-grain, keeping-it-a-100, natural...
A dynamic, impressive debut memoir from the Whiting Award–winning author of The Residue Years (2013).
Following his award-winning debut novel, Jackson (Writing/New York Univ.) looks back on the specific chaos of historical, cultural, and familial forces that, despite the continued presence of open wounds, allowed them a chance at redemption in their home of Portland, Oregon. As he writes, “there’s the history that’s hit the books, what for all time should live in its ledgers, but…I must keep alive the record of where we lived and how we lived and what we lived and died for,” so it doesn’t slip “into the ether.” The author chronicles the complicated influences that have shaped his life, weaving through the Reaganomics era and its attendant uneven burden on black families, which led to expanding precariousness and subsequent street-scheming and entrenched pipe-dreaming. In his lyric memoir in essays, Jackson navigates family strife, crime, guns, toxic masculinity, substance abuse and addiction, and the meaning of “hustle,” among countless other timely topics. The author also makes it clear that there’s no room for pity, neither for his own choices nor those of his mother, who struggled with addiction, or the collection of black men he homages as the “composite Pops” who raised him. These are powerful stories of survival in the face of tremendous odds, rendered in a consistently intriguing hybrid of the street-cool hip-hop mathematics of Mos Def and the bluesy, ancestry-minded prison-cell work of Etheridge Knight (especially “The Idea of Ancestry”). The narrative hits its peak when Jackson motions beyond the tenuous spectacle of a moment to understand what came before it and to hope about what deliverance might come after it even while admitting, sometimes ashamedly so, that he is still wrestling with it all.
A potent book that revels in the author’s truthful experiences while maintaining the jagged-grain, keeping-it-a-100, natural storytelling that made The Residue Years a modern must-read.Pub Date: March 5, 2019
ISBN: 978-1-5011-3170-7
Page Count: 336
Publisher: Scribner
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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