SACRIFICE

An engrossing blue-collar thriller from Smith (Karma, l994, etc.) in which an ex-con, almost ready to go straight, taps underworld contacts for help in tracking down the serial killer who butchered his daughter. Recently released from a Kansas penitentiary where he did seven years for bank robbery, Tyler Pierce ekes out a living as a roofing contractor in rural Missouri. While getting his life back in order, however, he can't resist returning to the violent trade that earned him big money and the sobriquet Iceman. After a successful but bloody heist that nets him nearly $900,000, Tyler returns home to learn that his daughter Lisa has been knifed to death in Florida, where she worked as a park ranger. She's the latest of six victims authorities believe to have been slain by a single assassin. The narrative makes clear early on that the murderer is Karen Yeager, a closet maniac obsessively intent on reuniting certain young women with the babies they had aborted at the clinic where she works as a nurse. Tyler goes hunting for the murderer; but even with the gabby assistance of Naomi Cohen, an aging hooker hired to guide him around unfamiliar territory, he has trouble picking up the trail of the personable psycho who deems herself an avenging angel. Feisty Naomi, however, more than earns her keep with resourceful investigatory talents and a detailed knowledge of the redneck power structure—though, even so, Tyler manages to run afoul of a local narcotics ring. At length, he and Naomi learn what links five of the dead women, though not before the outlaw sleuth is left for dead by the druglord's thugs in a cypress swamp as a hurricane is about to strike. When Naomi meets a particularly unpleasant end, Tyler takes but cold comfort in bringing crazy Karen to a rough kind of justice. A gritty and bleakly gripping walk on the wild side of the Sunbelt.

Pub Date: Jan. 13, 1997

ISBN: 0-525-93978-4

Page Count: 364

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 1996

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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