A deliberately over-the-top but sensitive take on multiple touchy subjects.
A celebrated professor who passes for Indian is revealed to be White. Is she a fraud or a trailblazer?
This provocative fiction debut and satire of identity politics by Sanyal, a German academic, centers on Saraswati, a Düsseldorf professor who’s infamous for her outspoken proclamations about race and social justice: She’s shut down Jordan Peterson in debate and kicked White students out of her courses. She’s a hero to Nivedita, a graduate student who’s been inspired by Saraswati to explore her own mixed-race background and launch a blog under the name Identitti. So she’s crushed when it’s revealed that Saraswati isn’t South Asian but a White woman named Sarah. Commentators quickly break out the hashtags (#SaraswatiShame) and liken her to Rachel Dolezal, the White college instructor who presented herself as Black. But Saraswati doesn’t retreat. She insists that race, much like gender, can be fluid and that her leaning into racial issues represents a noble rejection of Whiteness. “So it’s okay to transcend your gender, but a category as obviously made-up as race should be more fixed and inflexible than sex?” she asks Nivedita, and the narrative is thick with such questions. Sanyal mocks Saraswati’s privilege and sanctimony but takes her perspective seriously; the book refers often to writers on race, gender, and postcolonialism, from Frantz Fanon to bell hooks to Zadie Smith. Though the novel is effectively a long series of conversations in an apartment among Saraswati, Nivedita, and other interlocutors, it has a surprising liveliness thanks to Sanyal’s knack for sending up academia and social media pile-ons and her canny interweaving of Hindu mythology. (The goddess Kali provides an extended metaphor.) “What it means to be white must be allowed to change and expand,” Saraswati insists, and the novel is an eyebrow-raising prompt to debate the matter.
A deliberately over-the-top but sensitive take on multiple touchy subjects.Pub Date: July 26, 2022
ISBN: 978-1-662-60129-3
Page Count: 336
Publisher: Astra House
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
Maybe you can go home again, but do you really want to? An atmospheric elegy to innocence lost.
On the eve of a return visit, a long-absent hometown boy recalls the sad summer after eighth grade.
Jimmy Perrini was in the middle of a baseball game when the news arrived: His mother, just 41, was dead. He knew she’d had cancer but she’d assured him she would never leave him, and he’d believed her. More than 50 years later, the man who now goes by Jay Perry is invited by the mayor of Creamwood, New Jersey, to come back for the naming of a new municipal building after his late father. In the intervening years, Jimmy Perrini has become the only famous writer the town has ever produced, though the early promise of his literary novels petered out and he’s become known for a children’s series that became an animated TV show, Ghost Teacher. Perrotta’s evocation of 1970s suburban New Jersey is filled with resonant period details: the Top 40 playlist, the Mexican dirtweed, the tension between the largely Italian American blue-collar residents and the very few in their midst who are different. One of these is Jimmy’s cousin Wayne, who lives next door with his possibly non-white girlfriend and their summer houseguest, a young Black man named Hector. Set adrift by grief and his father’s and older sister’s inattention, Jimmy floats into an unsavory friendship with a rough stoner named Eddie. He also connects with a super-smart older girl, Olivia, who suggests they try to contact his mother using her Ouija board, and is also game for a bit of sexual initiation. Perrotta, who’s known for edgy satires like Election (1998) and Mrs. Fletcher (2017), creates a very different mood here: melancholy, moving, dark, redolent with regret and loss. His sharp characterizations and social observations serve to bemuse rather than amuse this time, but as he builds to a shocking climax, it turns out he’s just as good at that.
Maybe you can go home again, but do you really want to? An atmospheric elegy to innocence lost.Pub Date: April 28, 2026
ISBN: 9781668080634
Page Count: 288
Publisher: Scribner
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
Weird and haunting and excellent.
The much-anticipated second novel from the author of Jonathan Strange and Mr. Norrell (2004).
The narrator of this novel answers to the name “Piranesi” even though he suspects that it's not his name. This name was chosen for him by the Other, the only living person Piranesi has encountered during his extensive explorations of the House. Readers who recognize Piranesi as the name of an Italian artist known for his etchings of Roman ruins and imaginary prisons might recognize this as a cruel joke that the Other enjoys at the expense of the novel’s protagonist. It is that, but the name is also a helpful clue for readers trying to situate themselves in the world Clarke has created. The character known as Piranesi lives within a Classical structure of endless, inescapable halls occasionally inundated by the sea. These halls are inhabited by statues that seem to be allegories—a woman carrying a beehive; a dog-fox teaching two squirrels and two satyrs; two children laughing, one of them carrying a flute—but the meaning of these images is opaque. Piranesi is happy to let the statues simply be. With her second novel, Clarke invokes tropes that have fueled a century of surrealist and fantasy fiction as well as movies, television series, and even video games. At the foundation of this story is an idea at least as old as Chaucer: Our world was once filled with magic, but the magic has drained away. Clarke imagines where all that magic goes when it leaves our world and what it would be like to be trapped in that place. Piranesi is a naif, and there’s much that readers understand before he does. But readers who accompany him as he learns to understand himself will see magic returning to our world.
Weird and haunting and excellent.Pub Date: Sept. 15, 2020
ISBN: 978-1-63557-563-7
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
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