by Mizuki Tsujimura ; translated by Yuki Tejima ‧ RELEASE DATE: March 17, 2026
Heartfelt and charming.
Now older and wiser, the go-between continues to reunite the living and dead.
Set seven years after Lost Souls Meet Under a Full Moon (2025), Tsujimura’s sequel follows Ayumi, the mysterious go-between, as he continues his work arranging fated meetings between the living and the dead. Now a young man working as a toy designer in Tokyo, Ayumi must balance his real-world and beyond-the-real-world responsibilities. More mature and capable in his role, he helps five different people. An up-and-coming actor tries to set up a meeting for a friend—a familiar face from the first book—but instead reconnects with his estranged father. A museum employee wants to meet with a forgotten 16th-century historical figure who has captivated his attention. Two devastated mothers hope to meet the daughters they lost far too early—one hoping to be absolved and the other hoping to show how her grief has reshaped her life. Finally, after decades of trying, an elderly chef believes it’s his last chance to reconnect with the girl he loved from afar (“It’s a gift to live in the world at the same time as the person you have in your heart”). If some of the meetings feel less emotionally resonant than those in the previous novel, the sequel’s biggest strength is the way it develops Ayumi’s story as he navigates more familial loss; experiences “firsts” as the go-between; and builds a relationship with the Torino family, who own a small but respectable woodworking business. Drawn to them because they had worked with his father, Ayumi becomes increasingly close with the father, and Nao, his daughter. The closer he becomes with them, the more Ayumi wonders how he can find true connection while harboring a secret life. As in the first book, this novel can feel repetitive at times, but ultimately it’s a poignant portrayal of death, life, and the magical place where the two overlap.
Heartfelt and charming.Pub Date: March 17, 2026
ISBN: 9781668099872
Page Count: 224
Publisher: Scribner
Review Posted Online: Dec. 11, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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by Mizuki Tsujimura ; translated by Yuki Tejima
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Bonnie Garmus ‧ RELEASE DATE: Oct. 13, 2026
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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