Smart, fierce, lovely, and intricate.
A crusading Gilded Age journalist makes a soul connection with a jeweler, who unwittingly helps her leverage the mystique of the Hope Diamond as she fights for justice.
New York heiress Vera Garland has a secret: She’s also the popular female journalist Vee Swann, a secret identity she maintains through a no-nonsense disguise and backstory that depends on her living in a significantly less upscale part of town than her family. She feels it’s necessary to stay in touch with the stories of the day, especially those that deal with tenements, immigrants, and the struggles of the less privileged, including working women. Her mother disapproves of her work, so Vera depends on the love and approval of her father, Granville Garland, owner of a Fifth Avenue emporium. Going undercover in a tenement, Vee befriends a young neighbor, but when the girl falls ill and Vee offers to pay for a doctor, the child’s drunk, enraged father throws her down a stairway. Severely injured and emotionally wounded by the child’s death, Vera moves into the beautiful Tiffany-designed penthouse apartment above her father's store. She is just beginning to feel herself again when her father dies from a heart attack. Vera inherits the apartment and, in clearing out his things, discovers a letter that makes her realize her father had deep secrets, including a love affair with a man that predated his marriage. She suspects he died of a broken heart since his lover committed suicide to protect them both from a blackmailer. Meanwhile, the Hope Diamond has come to New York, residing in Cartier’s Fifth Avenue shop. Vera suspects Cartier is playing up the jewel's dramatic history to try to increase its value. She effects an accidental meeting with Jacob Asher, an enigmatic jeweler whose renowned family was decimated in the Russian pogroms and who now works with Cartier. When the two become close, she blurs the lines between her professional and personal lives, gaining information from their relationship that reflects badly on Cartier in order to expose her father's extortionist. When justice is served, however, Vera must decide what she’s willing to fight for in her personal life. Rose’s newest title is complex and compelling, with many threads of history, plot, and character that weave together into a bold, satisfying tapestry. Along the way, she touches on issues society still faces: power, privilege, anti-Semitism, women’s sexual, social, and professional rights, and the never-ending struggle for tolerance and equality.
Smart, fierce, lovely, and intricate.Pub Date: Jan. 28, 2020
ISBN: 978-1-5011-7363-9
Page Count: 334
Publisher: Atria
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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