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REBOOT

YOUR COVID-19 QUICK-START GUIDE TO LIFE, WORK, AND HOPE

An affirmative, spirited prescription for coping in a post-pandemic world.

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A guide offers inspiration for life after Covid-19.

As a result of the pandemic, internationally known motivational speaker Kim saw her face-to-face business evaporate. Instead of surrendering, she conceived of four formulas to make “order out of chaos.” This book explores her “Reboot Formulas,” explains how to write a “Reboot Scenario,” and discusses how to survive in a post-pandemic world. The author begins with a pragmatic overview of the universal impact of Covid-19 on everyday life. She subsequently describes the four formulas, illustrating how she applied them to her own business as well as providing solid examples from other companies. The first two formulas revolve around transitioning from in-person to online communications and accepting the broader goal of digital transformation. Kim not only drove this metamorphosis in her business, she understood that the digital data she acquired about customers could be used to segment and personalize products and services. The third formula recognizes the way in which the pandemic has changed the relationship between employee and employer, creating the “Independent Worker.” The author believes millennials in particular have embraced working independently. Still, she perceptively thinks the workplace is changing, resulting in the need for everyone to consider becoming independent employees. In discussing the fourth formula, “Safety,” Kim accurately cites her native South Korea’s world-leading response to the pandemic: “The choice that Koreans made, even if it required loss and sacrifice, ended up saving Korea and its being acknowledged as an advanced country when it came to safety.” A particularly instructive portion of the book is the detailed, three-stage approach the author proposes for writing a reboot scenario, followed by her enthusiastic encouragement to become “a chaser,” someone who realizes it is never too late to take the first step toward a goal. Kim’s strong emphasis on self-education as well as learning from others is a critical part of a successful reboot. The author closes the manual on a philosophical note: “We may have lost everything but not ourselves.” Consistently positive throughout, Kim delivers wise, motivational words and actionable strategies for moving forward.

An affirmative, spirited prescription for coping in a post-pandemic world.

Pub Date: June 15, 2021

ISBN: 978-1-54-452137-4

Page Count: 262

Publisher: Lioncrest Publishing

Review Posted Online: Aug. 6, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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  • IndieBound Bestseller

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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  • New York Times Bestseller

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CINEMA SPECULATION

A top-flight nonfiction debut from a unique artist.

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The acclaimed director displays his talents as a film critic.

Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.

A top-flight nonfiction debut from a unique artist.

Pub Date: Nov. 1, 2022

ISBN: 978-0-06-311258-2

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 31, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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