Effective for readers who appreciate supernatural gore, but the timeline becomes hard to track.
In this debut horror novel, several generations of women try to prevent a demon from opening a permanent rift between universes.
In vignettes that skip ahead and backward in time, this tale follows the efforts of women in a family to sabotage a demon. Bernie Baker, as he’s usually referred to, takes several identities as he steals bodies to reincarnate. He commits cruel acts wherever he goes, at one point becoming known as the “Cleveland Crusher,” a serial killer who murders with a vise. He’s sometimes helped by the “Others,” supernatural creatures that take the guise of ordinary people. In 2004, Bernie is now retired U.S. senator and multimillionaire John Arnold, who has used his wealth and position to push forward a big shopping mall in Redhill, Ohio. The mall stands on the site where the barrier between worlds is thin, a location that previously housed a cabin, then an orphanage, and eventually a correctional facility, where Bernie had lived and later been incarcerated. These structures were destroyed, and now Bernie plans a deadly conflagration in the service of a Great Offering: opening a rift for demons and richly rewarding himself. To do so, he needs the psychic abilities of Madonna Bedonne, the latest in a line of women since 1898 who have fought but failed to stop the demon. But if Madonna can harness her powers, she can close the rift forever and save Redhill’s Christmas shoppers. Readers with a taste for gory horror are the best audience for Noble’s novel. Many scenes detail Bernie’s atrocities at length, the more shocking when committed in the body of a child. But with frequent and wrenching jumps backward and forward in time, for example from 1895 to 2004 to 1885 to 1900 to 1894 in the first 19 pages, it’s difficult to keep a handle on the characters or their roles in the plot. (A chart of relationships provides some help.) Things improve late in the book, when the story settles down to focus on Madonna and her circle of friends, who bravely face up to evil.
Effective for readers who appreciate supernatural gore, but the timeline becomes hard to track.Pub Date: Jan. 4, 2017
ISBN: 978-1-60303-999-4
Page Count: 336
Publisher: Plain Label Books
Review Posted Online: May 8, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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