Effective for readers who appreciate supernatural gore, but the timeline becomes hard to track.
In this debut horror novel, several generations of women try to prevent a demon from opening a permanent rift between universes.
In vignettes that skip ahead and backward in time, this tale follows the efforts of women in a family to sabotage a demon. Bernie Baker, as he’s usually referred to, takes several identities as he steals bodies to reincarnate. He commits cruel acts wherever he goes, at one point becoming known as the “Cleveland Crusher,” a serial killer who murders with a vise. He’s sometimes helped by the “Others,” supernatural creatures that take the guise of ordinary people. In 2004, Bernie is now retired U.S. senator and multimillionaire John Arnold, who has used his wealth and position to push forward a big shopping mall in Redhill, Ohio. The mall stands on the site where the barrier between worlds is thin, a location that previously housed a cabin, then an orphanage, and eventually a correctional facility, where Bernie had lived and later been incarcerated. These structures were destroyed, and now Bernie plans a deadly conflagration in the service of a Great Offering: opening a rift for demons and richly rewarding himself. To do so, he needs the psychic abilities of Madonna Bedonne, the latest in a line of women since 1898 who have fought but failed to stop the demon. But if Madonna can harness her powers, she can close the rift forever and save Redhill’s Christmas shoppers. Readers with a taste for gory horror are the best audience for Noble’s novel. Many scenes detail Bernie’s atrocities at length, the more shocking when committed in the body of a child. But with frequent and wrenching jumps backward and forward in time, for example from 1895 to 2004 to 1885 to 1900 to 1894 in the first 19 pages, it’s difficult to keep a handle on the characters or their roles in the plot. (A chart of relationships provides some help.) Things improve late in the book, when the story settles down to focus on Madonna and her circle of friends, who bravely face up to evil.
Effective for readers who appreciate supernatural gore, but the timeline becomes hard to track.Pub Date: Jan. 4, 2017
ISBN: 978-1-60303-999-4
Page Count: 336
Publisher: Plain Label Books
Review Posted Online: May 8, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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