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FRIENDROID

A timely parable for this generation of digital natives

A 12-year-old loner makes friends with a popular classmate—who just happens to be an android.

Danny introduces Slick’s story by telling readers how it ends: Slick is dead, he was murdered, and he was an android. This is Slick’s journal, Danny explains, and he’s publishing it because he wants everyone to know the truth. In chapters that shift between Danny’s and Slick’s perspectives, readers meet Danny’s dead best friend as a blond and blue-eyed new kid who has recently moved from New York City. Slick (real name Eric) thinks he’s a regular kid: He’s focused on how many friends he has on Kudos, enthralled with his many pairs of Slick sneakers and his Oldean T-shirts—he is so brand-obsessed he sounds like a present-day social media influencer—and ignored by his equally popularity-hungry parents. But he bonds with Danny over the one thing he loves that isn’t popular: the online game Land X. Their friendship is a first for both of them: Danny’s first friendship at all and Slick’s first friendship that isn’t just about popularity. But can they keep Slick safe from his creators? The satisfying revelation of Slick’s strangeness contrasts engagingly with the absurd humor of this odd-couple friendship, and Vaughan executes her satire effectively for an audience that may not be accustomed to it. Both Slick and Danny present white.

A timely parable for this generation of digital natives . (Science fiction. 9-11)

Pub Date: March 26, 2019

ISBN: 978-1-4814-9065-8

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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BEN FRANKLIN'S IN MY BATHROOM!

It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...

Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.

Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.

It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)

Pub Date: Sept. 26, 2017

ISBN: 978-1-101-93406-7

Page Count: 240

Publisher: Schwartz & Wade/Random

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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